The Living EyeThis volume is a translation of selections of L'Oeil vivant (1961 and 70). Annotation copyright Book News, Inc. Portland, Or. |
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Page 160
... Hamlet did could be without an inner principle capable of accounting for and unifying all his contradictory words and actions . It was no longer enough that the play should hold us in thrall by dint of its imperious necessity ; it ...
... Hamlet did could be without an inner principle capable of accounting for and unifying all his contradictory words and actions . It was no longer enough that the play should hold us in thrall by dint of its imperious necessity ; it ...
Page 161
... Hamlet , and to Shakespeare . The retrospective fantasy is thus the responsibility of the interpreter , who relies on the similarity between the behavior of Hamlet and that of neurotics treated by psychoanalysis in real life . In the ...
... Hamlet , and to Shakespeare . The retrospective fantasy is thus the responsibility of the interpreter , who relies on the similarity between the behavior of Hamlet and that of neurotics treated by psychoanalysis in real life . In the ...
Page 179
... Hamlet is not his father's murderer but his avenger . Only he is a hesitant avenger who , beset by anxiety and tempted by suicide , repeatedly postpones the act of vengeance . Freud makes what is essentially a grammatical or logical ...
... Hamlet is not his father's murderer but his avenger . Only he is a hesitant avenger who , beset by anxiety and tempted by suicide , repeatedly postpones the act of vengeance . Freud makes what is essentially a grammatical or logical ...
Contents
JeanJacques Rousseau and the Peril of Reflection | 14 |
Pseudonymous Stendhal | 78 |
The Critical Relation | 112 |
Copyright | |
5 other sections not shown
Common terms and phrases
aorist tense autobiography becomes Confessions consciousness criticism desire discourse Discourse on Inequality distance divine dreams Emile Benveniste emotion event existence expression external eyes fact fascination feeling fiction Freud gaze glance Hamlet happiness Hence hero Ibid imaginary imagination initial inner innocence interpretation intuition invented Jean-Jacques Jean-Jacques Rousseau Jean-Jacques's knowledge language literary literature longer look Ludwig Binswanger Mademoiselle de Breil Marcel Raymond mask meaning metamorphosis method mirror motto myth narcissism narration narrative nature neurosis never object Oedipus Oedipus complex Oedipus Rex once oneself Paris passion past perfect person play pleasure possession possible present pseudonyms psychoanalysis psychological pure reality reason reflection relation remains reveals reverie role Rousseau scene seeks sensation sense Shakespeare's Sigmund Freud situation social society sometimes soul speak Stendhal style symbolic takes theme things third-person narrative thought transformation truth Turin uncon unconscious witness words writing