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JeanJacques Rousseau and the Peril of Reflection
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accept action appearances autobiography becomes begins body Breil causes character complete condition Confessions consciousness course criticism described desire direct discourse distance dreams effect emotion establish event existence experience expression external eyes fact feeling figure final follow Freud gaze give glance Hamlet hand happiness Hence hope human idea imagination immediately important initial interpretation invented Jean-Jacques knowledge language letter literary literature living longer look Mademoiselle meaning method moment narration narrative nature never object Oedipus once original passion past perfect person play pleasure possession possible present psychoanalysis pure question reality reason reflection relation remains response result reveals role Rousseau scene seeks seems sense situation social society sometimes speak Stendhal style success takes things thought true truth turn wants wish witness writing