Corpus Tibullianum |
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Page 15
... characteristic of the type . So in their manipulation of the distich these old Ionian masters exhibit the same tendency to develop an idea by parallel- ism and antithesis which we find in the later poets , especially Tibullus himself ...
... characteristic of the type . So in their manipulation of the distich these old Ionian masters exhibit the same tendency to develop an idea by parallel- ism and antithesis which we find in the later poets , especially Tibullus himself ...
Page 17
... characteristic Alexandrian epigram - erotic , sentimental , ironical , and what - not- of which many examples are preserved in the Greek Anthology , is even more closely related to the elegy . In fact it is nothing more nor less than an ...
... characteristic Alexandrian epigram - erotic , sentimental , ironical , and what - not- of which many examples are preserved in the Greek Anthology , is even more closely related to the elegy . In fact it is nothing more nor less than an ...
Page 18
... characteristic of the Alexandrian Age as it was of Goethe's time . There was also a change in the point of view toward the literary and artistic inheritance of the race . Then as now we are in an age of scholarship and of great ...
... characteristic of the Alexandrian Age as it was of Goethe's time . There was also a change in the point of view toward the literary and artistic inheritance of the race . Then as now we are in an age of scholarship and of great ...
Page 19
... characteristic of the age . As in Antimachos and others the per- sonal note is expressed in mythic material . The next step , for which Kallinos and Mimnermos had already paved the way , was to make the myth itself the subject , and to ...
... characteristic of the age . As in Antimachos and others the per- sonal note is expressed in mythic material . The next step , for which Kallinos and Mimnermos had already paved the way , was to make the myth itself the subject , and to ...
Page 22
... characteristic work of the school however was really along other lines , and the Roman critics were doubtless entirely justified in their view that the real founder of their elegy as a great department of poetry was Cornelius Gallus ...
... characteristic work of the school however was really along other lines , and the Roman critics were doubtless entirely justified in their view that the real founder of their elegy as a great department of poetry was Cornelius Gallus ...
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Common terms and phrases
Alexandrian Amat Amor anaphora Anth antique atque caesura Carm Cassius Dio Catull Catullus Cerinthus characteristic charm Cicero cura dative Delia deos deus distich e.g. Ovid echo elegiac elegy Ennius Epig epigram Epist Epod etiam Eurip Fasti favourite frag Greek haec hence Hesiod hexameter Horace illa imitation Introd ipse Latin literary Livy lover Lucan Lucret Lukian manu Marathus Messalla mihi modo Nemesis nocte nunc Odyss Ovid passage pede pentameter Petron Plautus Pliny plural Plutarch poem poet poet's poetry Priap Propert Propertius prose puella quae quam quid quis quod quoque quoted reference Roman saepe says semper Seneca Servius on Verg Sibyl Stat suggested Sulpicia sunt tamen Theb theme Theokrit tibi Tibullian Tibullus Tibullus's Trist tunc Varro venit Venus verb verba Vergil verse word δὲ ἐν καὶ τὸ
Popular passages
Page 405 - The spinsters and the knitters in the sun, And the free maids that weave their thread with bones, Do use to chaunt it : it is silly sooth, And dallies with the innocence of love, Like the old age.
Page 382 - O'er many a frozen, many a fiery Alp, Rocks, caves, lakes, fens, bogs, dens, and shades of death, A universe of death ; which God by curse Created evil, for evil only good ; Where all life dies, death lives, and nature breeds, Perverse, all monstrous, all prodigious things, Abominable, inutterable, and worse Than fables yet have feigned, or fear conceived, Gorgons, and hydras, and chimeras dire.
Page 490 - UPON JULIA'S CLOTHES WHENAS in silks my Julia goes Then, then (methinks) how sweetly flows The liquefaction of her clothes. Next, when I cast mine eyes and see That brave vibration each way free; O how that glittering taketh me!
Page 522 - tis the way too thither. How happy here should I, And one dear She, live, and embracing die ! She, who is all the world, and can exclude In deserts solitude. I should have then this only fear — Lest men, when they my pleasures see, Should hither throng to live like me, And so make a city here.
Page 490 - Not, Celia, that I juster am Or better than the rest ; For I would change each hour, like them, Were not my heart at rest. But I am tied to very thee By every thought I have ; Thy face I only care to see, Thy heart I only crave. All that in woman is adored In thy dear self I find — For the whole sex can but afford The handsome and the kind. Why then should I seek further store, And still make love anew ? When change itself can give no more, Tis easy to be true.
Page 409 - Faire Venus sonne, that with thy cruell dart At that good knight so cunningly didst rove, That glorious fire it kindled in his hart...
Page 302 - ... Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty ! Make thick my blood ; Stop up...
Page 198 - HIGH on a throne of royal state, which far Outshone the wealth of Ormus and of Ind, Or where the gorgeous East with richest hand Showers on her kings barbaric pearl and gold...
Page 107 - ... flava Ceres, tibi sit nostro de rure corona spicea, quae templi pendeat ante fores, pomosisque ruber custos ponatur in hortis, terreat ut saeva falce Priapus aves. vos quoque, felicis quondam, nunc pauperis agri 20 custodes, fertis munera vestra, Lares.
Page 383 - Cocyto eructat harenam. portitor has horrendus aquas et flumina servat terribili squalore Charon, cui plurima mento canities inculta iacet, stant lumina flamma, 300 sordidus ex umeris nodo dependet amictus. ipse ratem conto subigit velisque ministrat et ferruginea subvectat corpora cumba, iam senior, sed cruda deo viridisque senectus.