 | William Butler Yeats - English poetry - 1903 - 360 pages
...sound, and colour, and form are in a musical relation, a beautiful relation to one another, theybecome as it were one sound, one colour, one form, and evoke...their distinct evocations and yet is one emotion. The 243 Symbolism of Poetry. d, *r-3r Ideas of same relation exists between all portions of Good and... | |
 | William Butler Yeats - 1907 - 358 pages
...hearts we call emotions ; and when sound, and colour, and form are in a musical relation, a beautiful relation to one another, they become as it were one...their distinct evocations and yet is one emotion. The .', Ideas of same relation exists between all portions of Good and ii • i_ Evil. every work of... | |
 | 1909 - 112 pages
...our heart we call emotions; and when sound and color and form are in a musical relation, a beautiful relation to one another, they become as it were one sound, one color, one form, and evoke an emotion that is made out of their distinct evocations and yet is one... | |
 | William Butler Yeats - Essays - 1918 - 556 pages
...hearts we call emotions; and when sound, and colour, and form are in a musical relation, a beautiful relation to one another, they become as it were one...their distinct evocations and yet is one emotion. The same relation exists between all portions of every work of art, whether it be an epic or a song,... | |
 | Salma Khadra Jayyusi - Arabic poetry - 1977 - 538 pages
...indefinable and yet precise emotions, . . . when sound, and colour, and form are in a musical relation . . . they become as it were one sound, one colour, one...made out of their distinct evocations and yet is one emotion".26 Peyre elaborates this further, "All arts are parallel translations of one fundamental mystery.... | |
 | Eric Warner, Graham Hough - Literary Criticism - 1983 - 344 pages
...hearts we call emotions; and when sound, and colour, and form are in a musical relation, a beautiful relation to one another, they become, as it were,...their distinct evocations and yet is one emotion. The same relation exists between all portions of every work of art, whether it be an epic or a song,... | |
 | Marguerite Harkness - Literary Collections - 1984 - 230 pages
...precise emotions . . . and when sound, and colour, and form are in a musical relation, a beautiful relation to one another, they become, as it were,...their distinct evocations and yet is one emotion. ["The Symbolism of Poetry, "£ & I, 156-57] Rhythm assists in controlling meaning by establishing relationship;... | |
 | Paul de Man - Literary Criticism - 2000 - 344 pages
...hearts we call emotions; and when sound, and colour, and form are in a musical relation, a beautiful relation to one another, they become as it were one...their distinct evocations and yet is one emotion. The same relation exists between all portions of every work of art, whether it be an epic or a song,... | |
 | Carol T. Christ - Literary Criticism - 1986 - 192 pages
...hearts we call emotions; and when sound, and colour, and form are in a musical relation, a beautiful relation to one another, they become, as it were,...made out of their distinct evocations and yet is one emotion.52 It is easy to see the relationship of this definition of symbol to French symbolism. The... | |
 | Paul de Man - Literary Criticism - 2000 - 344 pages
...hearts we call emotions; and when sound, and colour, and form are in a musical relation, a beautiful relation to one another, they become as It were one...sound, one colour, one form, and evoke an emotion that ia made out of their distinct evocations and yet is one emotion. The same relation exists between all... | |
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... when sound, and colour, and form are in a musical relation, a beautiful relation to one another, they become as it were one sound, one colour, one form, and evoke an emotion that is made out of their distinct evocations and yet is one emotion. 
