Lear's Self-discoveryUniversity of California Press, 1967 - 154 pages |
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Page 1
... self - discovery in all literature . I choose for the title " self - discovery " rather than " self - knowledge " because it is closer to the dynamic quality of the dramatic experi- ence . Self - knowledge is the content of what , if I ...
... self - discovery in all literature . I choose for the title " self - discovery " rather than " self - knowledge " because it is closer to the dynamic quality of the dramatic experi- ence . Self - knowledge is the content of what , if I ...
Page 35
... self- discovery is more obvious , particularly in the opening scene . Afflic- tion as a stimulus to self - discovery is superbly worked into the dramatic action , and it is an affliction more specifically therapeutic than the treatises ...
... self- discovery is more obvious , particularly in the opening scene . Afflic- tion as a stimulus to self - discovery is superbly worked into the dramatic action , and it is an affliction more specifically therapeutic than the treatises ...
Page 151
Paul A. Jorgensen. 15 , 33 , 116-117 ; requirements of self - discovery and Lear on man , 3-4 ; concept of self - knowledge and Socrates , 5 ; sense of self- knowledge in Lear , 8 ; thought and sex in , 9 ; passions vs. judg- ment in ...
Paul A. Jorgensen. 15 , 33 , 116-117 ; requirements of self - discovery and Lear on man , 3-4 ; concept of self - knowledge and Socrates , 5 ; sense of self- knowledge in Lear , 8 ; thought and sex in , 9 ; passions vs. judg- ment in ...
Contents
Some Renaissance Contexts | 12 |
The Emergence of Lear as Thinker | 44 |
Other Characters on the Rack | 83 |
Copyright | |
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Common terms and phrases
affliction Angelo argue awareness beginning Boaistuau body Brutus chapter character Charron Christian comes Cordelia corrupt course critics depiction disguise doth dramatic earlier Edgar Edmund father feel flesh foil to Lear Fool Fool's Gloucester Gloucester's Goneril and Regan Hamlet hath Hugh Latimer human Huntington Library Iago identity important insight intelligence interpretation John Davies Kent kind King Lear Knight knowledge later Lear as thinker Lear learns Lear's mind Lear's self-discovery least madness mainly man's means merely moral Myles Coverdale nature never nosce teipsum Othello passions perhaps philosopher play question reason recognition recognize Renaissance Renaissance treatises Richard Richard II ritualistic scene seems self-knowledge self-pity sense sexual Shake Shakespeare Quarterly significant Sir John Davies slenderly known soliloquy speech stage storm tell Theodore Spencer things thinking Thomas Becon thought tion Titus Titus Andronicus tough world tragedy true unaccommodated unkind daughters wisdom woman writes