Lear's Self-discoveryUniversity of California Press, 1967 - 154 pages |
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Page 1
... expression . I shall try to show , in small part , what self - knowledge meant to Shakespeare's contemporaries and , most important , how he struck out on his own , and with insights well beyond his time , to create perhaps the greatest ...
... expression . I shall try to show , in small part , what self - knowledge meant to Shakespeare's contemporaries and , most important , how he struck out on his own , and with insights well beyond his time , to create perhaps the greatest ...
Page 64
... expressing his scornful re- jection of the idea that love may make him dote , he affirms his belief in the value of ... expressions : " wonder " ( 1. 185 ) , " soul's joy " ( 1. 186 ) , " fear " ( 1. 192 ) , " this content " ( 1. 198 ) ...
... expressing his scornful re- jection of the idea that love may make him dote , he affirms his belief in the value of ... expressions : " wonder " ( 1. 185 ) , " soul's joy " ( 1. 186 ) , " fear " ( 1. 192 ) , " this content " ( 1. 198 ) ...
Page 128
... expression as the " most exquisite region of my senses . " Imagery such as this is not out of character for Regan as we later come to know her . It is she who will refer to " the forfended place " ( V.i.11 ) . However this may be , an ...
... expression as the " most exquisite region of my senses . " Imagery such as this is not out of character for Regan as we later come to know her . It is she who will refer to " the forfended place " ( V.i.11 ) . However this may be , an ...
Contents
Some Renaissance Contexts | 12 |
The Emergence of Lear as Thinker | 44 |
Other Characters on the Rack | 83 |
Copyright | |
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affliction Angelo argue awareness beginning Boaistuau body Brutus chapter character Charron Christian comes Cordelia corrupt course critics depiction disguise doth dramatic earlier Edgar Edmund father feel flesh foil to Lear Fool Fool's Gloucester Gloucester's Goneril and Regan Hamlet hath Hugh Latimer human Huntington Library Iago identity important insight intelligence interpretation John Davies Kent kind King Lear Knight knowledge later Lear as thinker Lear learns Lear's mind Lear's self-discovery least madness mainly man's means merely moral Myles Coverdale nature never nosce teipsum Othello passions perhaps philosopher play question reason recognition recognize Renaissance Renaissance treatises Richard Richard II ritualistic scene seems self-knowledge self-pity sense sexual Shake Shakespeare Quarterly significant Sir John Davies slenderly known soliloquy speech stage storm tell Theodore Spencer things thinking Thomas Becon thought tion Titus Titus Andronicus tough world tragedy true unaccommodated unkind daughters wisdom woman writes