Complete Poems and Selected Letters

Front Cover
Odyssey Press, 1935 - Fiction - 666 pages

Contents

I
xlvi
Sonnet to Byron
5
Anniversary of Charles IIs Restoration
12
On an Engraved Gem of Leander
22
To One Long in City Pent
34
To My Brother George Many the wonders
40
Addressed to the Same Great spirits now on earth
47
Sleep and Poetry
59
To Georgiana Augusta Wylie afterwards
252
Lines
261
Written upon the Top of Ben Nevis
267
Fancy
273
Hyperion
280
The Eve of St Mark
325
Song of Four Fairies
336
Le Belle Dame Sans Merci First Version
342

To Had I a mans fair form
71
Dedication to Leigh Hunt Esq
76
12
98
15
114
Sonnet to a Young Lady Who Sent Me a Laurel Crown 16
124
On Oxford
203
Sharing Eves Apple
209
To a Lady Seen for a Few Moments at Vauxhall
215
Faery Songs
222
The Devon Maid
228
Ode to a Nightingale
349
Lamia
356
A Party of Lovers
376
Otho the Great
396
King Stephen
456
The Car and Bells
463
INTRODUCTION
493
INDEX OF TITLES AND FIRST LINES
651
Spenserian Stanzas on Charles Armitage Brown
664
Copyright

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About the author (1935)

John Keats was born in London, the oldest of four children, on October 31, 1795. His father, who was a livery-stable keeper, died when Keats was eight years old, and his mother died six years later. At age 15, he was apprenticed to an apothecary-surgeon. In 1815 he began studying medicine but soon gave up that career in favor of writing poetry. The critic Douglas Bush has said that, if one poet could be recalled to life to complete his career, the almost universal choice would be Keats, who now is regarded as one of the three or four supreme masters of the English language. His early work is badly flawed in both technique and critical judgment, but, from his casually written but brilliant letters, one can trace the development of a genius who, through fierce determination in the face of great odds, fashioned himself into an incomparable artist. In his tragically brief career, cut short at age 25 by tuberculosis, Keats constantly experimented, often with dazzling success, and always with steady progress over previous efforts. The unfinished Hyperion is the only English poem after Paradise Lost that is worthy to be called an epic, and it is breathtakingly superior to his early Endymion (1818), written just a few years before. Isabella is a fine narrative poem, but The Eve of St. Agnes (1819), written soon after, is peerless. In Lamia (1819) Keats revived the couplet form, long thought to be dead, in a gorgeous, romantic story. Above all it was in his development of the ode that Keats's supreme achievement lies. In just a few months, he wrote the odes "On a Grecian Urn" (1819), "To a Nightingale" (1819), "To Melancholy" (1819), and the marvelously serene "To Autumn" (1819). Keats is the only romantic poet whose reputation has steadily grown through all changes in critical fashion. Once patronized as a poet of beautiful images but no intellectual content, Keats is now appreciated for his powerful mind, profound grasp of poetic principles, and ceaseless quest for new forms and techniques. For many readers, old and young, Keats is a heroic figure. John Keats died in Rome on February 23, 1821 and was buried in the Protestant Cemetery, Rome. His last request was to be placed under a tombstone bearing no name or date, only the words, "Here lies One whose Name was writ in Water."

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