ArionTrustees of Boston University, 1963 - Classical literature |
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Page 26
... understand the classics ; and , second , to their mistakenly presenting the classics to modern times as the most ... understand three things : the classics , the present , himself . His guilt lies in the fact that he understands neither ...
... understand the classics ; and , second , to their mistakenly presenting the classics to modern times as the most ... understand three things : the classics , the present , himself . His guilt lies in the fact that he understands neither ...
Page 133
... understands the meaning of her prophecies , and in doing so is rendered the most tragic personality of the trilogy . In attempting to understand why Aeschylus dramatizes her trance - like state at such length - the scene takes nearly ...
... understands the meaning of her prophecies , and in doing so is rendered the most tragic personality of the trilogy . In attempting to understand why Aeschylus dramatizes her trance - like state at such length - the scene takes nearly ...
Page 19
... understand of that life unless one understands the pleas- ure in the masque , the good conscience of all masquerade ! Here is the bath and recreation of the classical spirit - and perhaps this bath was even more necessary to the rare ...
... understand of that life unless one understands the pleas- ure in the masque , the good conscience of all masquerade ! Here is the bath and recreation of the classical spirit - and perhaps this bath was even more necessary to the rare ...
Contents
NATURE AND THE WORLD OF MAN | 9 |
GREEK LITERATURE | 32 |
TWO FROM ARCHILOCHUS | 54 |
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Achilles Aeneas Aeneid Aeschylus Agamemnon ancient Apollo Archaic Archilochus ARIADNE ARION Aristotle Aristotle's audience BACCHANTE beauty BRITOMART CASTOR century chorus classical culture classical scholarship classical studies classicists Clytaemnestra criticism death Deianeira divine dramatic dream ENDYMION Euripides eyes fact fate feel forces girl give gods Greek tragedy Hellenic Heracles hero heroic Hesiod Homer Horace human Iliad imitation irrational language Latin LEUCOTHEA lines literary literature live look man's Mandel matter mean ment mind MNEMOSYNE modern moral natural world never Nietzsche Nietzsche's Odyssey Oedipus Oresteia Orestes ORPHEUS passage passion pattern perhaps Philoctetes philologists philology Pindar Plato play poem poet poetic poetry polis POLYDEUCES Pound Pyrrha rational Renaissance Roman SAPPHO scholars seems sense sleep song Sophocles STRANGER style suffering tell things thought Thucydides tion tradition tragic translation true understand University Virgil vision whole Wilamowitz woman word Zeus