ArionTrustees of Boston University, 1963 - Classical literature |
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Page 47
... suffering and nature are made unreal , ethereally beautiful through the contrast . Nature stands in contrast to human suffering , not as a possible source of it , reflect- ing man's moral violations back upon himself . Its beauty here ...
... suffering and nature are made unreal , ethereally beautiful through the contrast . Nature stands in contrast to human suffering , not as a possible source of it , reflect- ing man's moral violations back upon himself . Its beauty here ...
Page 89
... suffering must be felt by the tragic character , and preferably he is to realize how his suffering came about . ( This last consideration is part of Mandel's judgment of Brutus- if he didn't know he had failed , then he would have ...
... suffering must be felt by the tragic character , and preferably he is to realize how his suffering came about . ( This last consideration is part of Mandel's judgment of Brutus- if he didn't know he had failed , then he would have ...
Page 91
... suffer out loud ; but is deterioration of character not suffering , if the sufferer succeeds in ignoring it ? We do not need to linger over granting full recognition to the half - tragedies , the Ajax and Heracles , since we have ...
... suffer out loud ; but is deterioration of character not suffering , if the sufferer succeeds in ignoring it ? We do not need to linger over granting full recognition to the half - tragedies , the Ajax and Heracles , since we have ...
Contents
NATURE AND THE WORLD OF MAN | 9 |
GREEK LITERATURE | 32 |
TWO FROM ARCHILOCHUS | 54 |
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Achilles Aeneas Aeneid Aeschylus Agamemnon ancient Apollo Archaic Archilochus ARIADNE ARION Aristotle Aristotle's audience BACCHANTE beauty BRITOMART CASTOR century chorus classical culture classical scholarship classical studies classicists Clytaemnestra criticism death Deianeira divine dramatic dream ENDYMION Euripides eyes fact fate feel forces girl give gods Greek tragedy Hellenic Heracles hero heroic Hesiod Homer Horace human Iliad imitation irrational language Latin LEUCOTHEA lines literary literature live look man's Mandel matter mean ment mind MNEMOSYNE modern moral natural world never Nietzsche Nietzsche's Odyssey Oedipus Oresteia Orestes ORPHEUS passage passion pattern perhaps Philoctetes philologists philology Pindar Plato play poem poet poetic poetry polis POLYDEUCES Pound Pyrrha rational Renaissance Roman SAPPHO scholars seems sense sleep song Sophocles STRANGER style suffering tell things thought Thucydides tion tradition tragic translation true understand University Virgil vision whole Wilamowitz woman word Zeus