ArionTrustees of Boston University, 1963 - Classical literature |
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Page 109
... question . This portion of the play is rendered by Pound as follows : -Look at here . You know who this is . -Who are you ? -Don't mind that . --Answer my question , if you've got sense enough . -Her most Gracious Majesty , Queen of ...
... question . This portion of the play is rendered by Pound as follows : -Look at here . You know who this is . -Who are you ? -Don't mind that . --Answer my question , if you've got sense enough . -Her most Gracious Majesty , Queen of ...
Page 133
... question . But , like the questions with which the Sybaris ode ( 1.8 ) begins , they're hardly questions we can imagine Horace putting in actual conversation . Moreover it's clear Pyrrha isn't expected to answer the questions , or even ...
... question . But , like the questions with which the Sybaris ode ( 1.8 ) begins , they're hardly questions we can imagine Horace putting in actual conversation . Moreover it's clear Pyrrha isn't expected to answer the questions , or even ...
Page 125
... question is listed . Well , if the general reader wants the most detailed examination of this question ( and he doesn't ) , then there is a more detailed and up - to - date examina- tion of the problem by K. F. C. Rose in the Bodleian ...
... question is listed . Well , if the general reader wants the most detailed examination of this question ( and he doesn't ) , then there is a more detailed and up - to - date examina- tion of the problem by K. F. C. Rose in the Bodleian ...
Contents
NATURE AND THE WORLD OF MAN | 9 |
GREEK LITERATURE | 32 |
TWO FROM ARCHILOCHUS | 54 |
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Achilles Aeneas Aeneid Aeschylus Agamemnon ancient Apollo Archaic Archilochus ARIADNE ARION Aristotle Aristotle's audience BACCHANTE beauty BRITOMART CASTOR century chorus classical culture classical scholarship classical studies classicists Clytaemnestra criticism death Deianeira divine dramatic dream ENDYMION Euripides eyes fact fate feel forces girl give gods Greek tragedy Hellenic Heracles hero heroic Hesiod Homer Horace human Iliad imitation irrational language Latin LEUCOTHEA lines literary literature live look man's Mandel matter mean ment mind MNEMOSYNE modern moral natural world never Nietzsche Nietzsche's Odyssey Oedipus Oresteia Orestes ORPHEUS passage passion pattern perhaps Philoctetes philologists philology Pindar Plato play poem poet poetic poetry polis POLYDEUCES Pound Pyrrha rational Renaissance Roman SAPPHO scholars seems sense sleep song Sophocles STRANGER style suffering tell things thought Thucydides tion tradition tragic translation true understand University Virgil vision whole Wilamowitz woman word Zeus