ArionTrustees of Boston University, 1963 - Classical literature |
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Page 133
... poem is about ( p . 144 ) , sympathy vanishes . The best scholarly reading of the poem known to me , the only one that will help the reader to read it as a poem , is contained in a short lesson which J. W. Mackail gave to schoolteachers ...
... poem is about ( p . 144 ) , sympathy vanishes . The best scholarly reading of the poem known to me , the only one that will help the reader to read it as a poem , is contained in a short lesson which J. W. Mackail gave to schoolteachers ...
Page 133
... poem would cease to be a poem if he did attempt plain statement . His method is to set out from impressionistic , symbolic detail rather than analysis . The central section of the ode brings a more thoroughgoing symbolism . But first ...
... poem would cease to be a poem if he did attempt plain statement . His method is to set out from impressionistic , symbolic detail rather than analysis . The central section of the ode brings a more thoroughgoing symbolism . But first ...
Page 133
... poem in the language . No other poem is so full of ghost influences , influences instinctively felt to be present but which resist to the bitter end the tags which scholars would dearly love to attach to them . The assimilative genius ...
... poem in the language . No other poem is so full of ghost influences , influences instinctively felt to be present but which resist to the bitter end the tags which scholars would dearly love to attach to them . The assimilative genius ...
Contents
NATURE AND THE WORLD OF MAN | 9 |
GREEK LITERATURE | 32 |
TWO FROM ARCHILOCHUS | 54 |
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Achilles Aeneas Aeneid Aeschylus Agamemnon ancient Apollo Archaic Archilochus ARIADNE ARION Aristotle Aristotle's audience BACCHANTE beauty BRITOMART CASTOR century chorus classical culture classical scholarship classical studies classicists Clytaemnestra criticism death Deianeira divine dramatic dream ENDYMION Euripides eyes fact fate feel forces girl give gods Greek tragedy Hellenic Heracles hero heroic Hesiod Homer Horace human Iliad imitation irrational language Latin LEUCOTHEA lines literary literature live look man's Mandel matter mean ment mind MNEMOSYNE modern moral natural world never Nietzsche Nietzsche's Odyssey Oedipus Oresteia Orestes ORPHEUS passage passion pattern perhaps Philoctetes philologists philology Pindar Plato play poem poet poetic poetry polis POLYDEUCES Pound Pyrrha rational Renaissance Roman SAPPHO scholars seems sense sleep song Sophocles STRANGER style suffering tell things thought Thucydides tion tradition tragic translation true understand University Virgil vision whole Wilamowitz woman word Zeus