ArionTrustees of Boston University, 1963 - Classical literature |
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Page 11
... passage emphasizes the force and achievement of the heroes , able to threaten , indeed almost defy the gods . In this epic view , everything is concentrated upon the individual hero in the man - enobling war : he stands out by the force ...
... passage emphasizes the force and achievement of the heroes , able to threaten , indeed almost defy the gods . In this epic view , everything is concentrated upon the individual hero in the man - enobling war : he stands out by the force ...
Page 128
... passages where four epithets occur in Pindar are worth considering briefly . One is the famous dithyrambic frag- ment in ... passage occurs at P. 5 , 90-93 where Pindar is describing the foundation of Cyrene by Aristotle , who built a ...
... passages where four epithets occur in Pindar are worth considering briefly . One is the famous dithyrambic frag- ment in ... passage occurs at P. 5 , 90-93 where Pindar is describing the foundation of Cyrene by Aristotle , who built a ...
Page 71
... passages . One other passage here , which I will speak of later on . Aeneas comforts his men after the storm in book 1 with a famous phrase : Forsan et haec olim meminisse iuvabit . Some day perhaps remembering this too will be a ...
... passages . One other passage here , which I will speak of later on . Aeneas comforts his men after the storm in book 1 with a famous phrase : Forsan et haec olim meminisse iuvabit . Some day perhaps remembering this too will be a ...
Contents
NATURE AND THE WORLD OF MAN | 9 |
GREEK LITERATURE | 32 |
TWO FROM ARCHILOCHUS | 54 |
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Achilles Aeneas Aeneid Aeschylus Agamemnon ancient Apollo Archaic Archilochus ARIADNE ARION Aristotle Aristotle's audience BACCHANTE beauty BRITOMART CASTOR century chorus classical culture classical scholarship classical studies classicists Clytaemnestra criticism death Deianeira divine dramatic dream ENDYMION Euripides eyes fact fate feel forces girl give gods Greek tragedy Hellenic Heracles hero heroic Hesiod Homer Horace human Iliad imitation irrational language Latin LEUCOTHEA lines literary literature live look man's Mandel matter mean ment mind MNEMOSYNE modern moral natural world never Nietzsche Nietzsche's Odyssey Oedipus Oresteia Orestes ORPHEUS passage passion pattern perhaps Philoctetes philologists philology Pindar Plato play poem poet poetic poetry polis POLYDEUCES Pound Pyrrha rational Renaissance Roman SAPPHO scholars seems sense sleep song Sophocles STRANGER style suffering tell things thought Thucydides tion tradition tragic translation true understand University Virgil vision whole Wilamowitz woman word Zeus