ArionTrustees of Boston University, 1963 - Classical literature |
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Page 20
... comes from within man himself . Man determines the structure of reality , as on the Parthenon frieze the rhythms of ... come to know their past , for they can hope also to understand their pres- ent . There is no place here for the ...
... comes from within man himself . Man determines the structure of reality , as on the Parthenon frieze the rhythms of ... come to know their past , for they can hope also to understand their pres- ent . There is no place here for the ...
Page 30
... comes from within man himself . Man determines the structure of reality , as on the Parthenon frieze the rhythms of ... come to know their past , for they can hope also to understand their pres- ent . There is no place here for the ...
... comes from within man himself . Man determines the structure of reality , as on the Parthenon frieze the rhythms of ... come to know their past , for they can hope also to understand their pres- ent . There is no place here for the ...
Page 41
... come to the same thing , the violence , the uncontrollable and destructive forces within the framework of human life . Hippolytus is at once associated with the clear , calm water of his chaste goddess . The garland he presents to her comes ...
... come to the same thing , the violence , the uncontrollable and destructive forces within the framework of human life . Hippolytus is at once associated with the clear , calm water of his chaste goddess . The garland he presents to her comes ...
Contents
NATURE AND THE WORLD OF MAN | 9 |
GREEK LITERATURE | 32 |
TWO FROM ARCHILOCHUS | 54 |
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Achilles Aeneas Aeneid Aeschylus Agamemnon ancient Apollo Archaic Archilochus ARIADNE ARION Aristotle Aristotle's audience BACCHANTE beauty BRITOMART CASTOR century chorus classical culture classical scholarship classical studies classicists Clytaemnestra criticism death Deianeira divine dramatic dream ENDYMION Euripides eyes fact fate feel forces girl give gods Greek tragedy Hellenic Heracles hero heroic Hesiod Homer Horace human Iliad imitation irrational language Latin LEUCOTHEA lines literary literature live look man's Mandel matter mean ment mind MNEMOSYNE modern moral natural world never Nietzsche Nietzsche's Odyssey Oedipus Oresteia Orestes ORPHEUS passage passion pattern perhaps Philoctetes philologists philology Pindar Plato play poem poet poetic poetry polis POLYDEUCES Pound Pyrrha rational Renaissance Roman SAPPHO scholars seems sense sleep song Sophocles STRANGER style suffering tell things thought Thucydides tion tradition tragic translation true understand University Virgil vision whole Wilamowitz woman word Zeus