ArionTrustees of Boston University, 1963 - Classical literature |
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Page 43
... century concern for society and manners ; and Menander uses the corresponding adjective ( agroikos ) to describe the unsocial Knemon , the dyskolos , of the like - named play ( see 202 , 956 ) , introduced , significantly , in the ...
... century concern for society and manners ; and Menander uses the corresponding adjective ( agroikos ) to describe the unsocial Knemon , the dyskolos , of the like - named play ( see 202 , 956 ) , introduced , significantly , in the ...
Page 96
... century to century ; so , really , has ' antiquity ' itself , at least in any effectual sense of the word . We need to realize this . It is a kind of realization which points toward the truth , and which is disquieting only if we insist ...
... century to century ; so , really , has ' antiquity ' itself , at least in any effectual sense of the word . We need to realize this . It is a kind of realization which points toward the truth , and which is disquieting only if we insist ...
Page 133
... century theater of ideas . I That the second half of the fifth century B.C. was a period of immense cultural crisis and political convulsion is , fortunately for my purpose here , beyond any real doubt . The evidence itself needs only ...
... century theater of ideas . I That the second half of the fifth century B.C. was a period of immense cultural crisis and political convulsion is , fortunately for my purpose here , beyond any real doubt . The evidence itself needs only ...
Contents
NATURE AND THE WORLD OF MAN | 9 |
GREEK LITERATURE | 32 |
TWO FROM ARCHILOCHUS | 54 |
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Achilles Aeneas Aeneid Aeschylus Agamemnon ancient Apollo Archaic Archilochus ARIADNE ARION Aristotle Aristotle's audience BACCHANTE beauty BRITOMART CASTOR century chorus classical culture classical scholarship classical studies classicists Clytaemnestra criticism death Deianeira divine dramatic dream ENDYMION Euripides eyes fact fate feel forces girl give gods Greek tragedy Hellenic Heracles hero heroic Hesiod Homer Horace human Iliad imitation irrational language Latin LEUCOTHEA lines literary literature live look man's Mandel matter mean ment mind MNEMOSYNE modern moral natural world never Nietzsche Nietzsche's Odyssey Oedipus Oresteia Orestes ORPHEUS passage passion pattern perhaps Philoctetes philologists philology Pindar Plato play poem poet poetic poetry polis POLYDEUCES Pound Pyrrha rational Renaissance Roman SAPPHO scholars seems sense sleep song Sophocles STRANGER style suffering tell things thought Thucydides tion tradition tragic translation true understand University Virgil vision whole Wilamowitz woman word Zeus