Shakespeare, Man of the Theater: Proceedings of the Second Congress of the International Shakespeare Association, 1981This volume presents a sampling of the more than 250 papers presented at the Congress of the ISA held at Stratford-upon-Avon in August 1981. Most of the papers are concerned with Shakespeare as a writer for the theater. Other essays deal with Shakespeare as a literary, rather than theatrical, writer. Several of the offerings cover subjects usually neglected, and develop fresh insight into his work. |
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Page 16
... court and country , of nature and sophistication , opens with the apparently conventional antagonism of two brothers ; but sunk in the exchanges between Orlando and Oliver is a mosaic of phrases : Shall I keep your hogs and eat husks ...
... court and country , of nature and sophistication , opens with the apparently conventional antagonism of two brothers ; but sunk in the exchanges between Orlando and Oliver is a mosaic of phrases : Shall I keep your hogs and eat husks ...
Page 18
... Court . However , whenever I tell that to the murderers I have defended they never look particularly encouraged . With such limited qualifications I have , of course , been extremely doubtful as to what I could add to the deliberations ...
... Court . However , whenever I tell that to the murderers I have defended they never look particularly encouraged . With such limited qualifications I have , of course , been extremely doubtful as to what I could add to the deliberations ...
Page 27
... court occasion in a room of state . The placing of these two scenes one after the other at the start of the play almost tells us the whole story of Hamlet , and it is incredible to me that in a recent production , where the ghost was ...
... court occasion in a room of state . The placing of these two scenes one after the other at the start of the play almost tells us the whole story of Hamlet , and it is incredible to me that in a recent production , where the ghost was ...
Page 31
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Page 46
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Contents
15 | |
18 | |
Shakespeare Imagines a Theater | 34 |
Historic and Iconic Time in Late Tudor Drama | 47 |
The Word in the Theater | 55 |
The Players Will Tell All or the Actors Role in Renaissance Drama | 76 |
Iconography and the Theatrical Art of Pericles | 86 |
Some Shakespearean Night Sequences | 98 |
Shakespeare and jonson | 155 |
Beaumont and Fletchers Hamlet | 173 |
Society and the Uses of Authority in Shakespeare | 182 |
Seminar Papers | 201 |
The Stagecraft of the Statue Scene in The Winters Tale | 203 |
Shakespearean Comedy and Some EighteenthCentury Actresses | 212 |
Charles Keans King Lear and the Pageant of History | 231 |
APPENDIXES | 243 |
The Positive Uses of Negative Feedback in Criticism and Performance | 105 |
Some Approaches to Alls Well That Ends Well in Performance | 114 |
Between a sob and a Giggle | 121 |
Characterization through Language in the Early Plays of Shakespeare and His Contemporaries | 128 |
Shakespeare and Kyd | 148 |
Complete List of Lectures and Papers from the Program of the Congress | 245 |
Seminars and Their Chairmen | 247 |
Delegates and Participants | 248 |
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Popular passages
Page 15 - gainst that season comes Wherein our Saviour's birth is celebrated, The bird of dawning singeth all night long...
Page 21 - Yes, trust them not ! for there is an upstart crow, beautified with our feathers, that with his " Tiger's heart wrapped in a player's hide," supposes he is as well able to bombast out a blank verse as the best of you ; and, being an absolute Johannes Factotum, is, in his own conceit, the only Shake-scene in a country.