Weltliteratur; Festgabe für Fritz Strich zum 70. GeburtstagWalter Muschg, Emil Staiger |
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Page 153
... Romantic , " says Professor W.P. Ker in his essay " Romantic Fallacies " , is a dangerous word ... and romantic is a very partial and not very significant name for what really happened in the great revival of imagination [ in England ] ...
... Romantic , " says Professor W.P. Ker in his essay " Romantic Fallacies " , is a dangerous word ... and romantic is a very partial and not very significant name for what really happened in the great revival of imagination [ in England ] ...
Page 158
... Romantic eyes , and it was through him and Madame de Staël that Romantic terminology became familiar to Eng- lish literary circles . For although we have it on Byron's authority9 that the terms classic and romantic were not in general ...
... Romantic eyes , and it was through him and Madame de Staël that Romantic terminology became familiar to Eng- lish literary circles . For although we have it on Byron's authority9 that the terms classic and romantic were not in general ...
Page 171
... romantic tradition to return to precision of thought and im- agery and devotion to abstract form . The Waste Land ( 1922 ) is a vision of a civilisation disrupted by lack of faith and tradition . These anti - Romantic tend- encies are ...
... romantic tradition to return to precision of thought and im- agery and devotion to abstract form . The Waste Land ( 1922 ) is a vision of a civilisation disrupted by lack of faith and tradition . These anti - Romantic tend- encies are ...
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allgemeinen ästhetischen Ausdruck Barock Barocktheaters Bedeutung Begriff beiden Beispiel Bern besonders bewußt Bewußtsein Bilder Biographia Literaria bloß Bühne C.F. Meyers Coleridge Coleridge's criticism Denken deutschen Dichter dichterischen Dichtung distinction Drama eigenen Einbildungskraft Emil Staiger English Epoche Erich Auerbach erscheinen erst Fancy Form Fritz Strich ganze Gattungen Gedanken Gedicht Gefühl Gegenstand Gegenwart Geist geistigen George German Geschichte Gestalten gewiß gibt Goethe Gott großen Grunde heißt historische Ideal Idee Imagination Jahre Jahrhundert Klassizismus Kraft Kultur Kunst läßt Leben leicht lich literarischen Literatur Lyrik lyrischen Mallarmé Menschen Meyer mind modern Möglichkeiten Musik musikalischen muß Natur neue Nietzsche Novalis Poesie poet poetry power Raum Renaissance Romanticism Romantik Schauspieler Schein Schiller schließlich Seele sentimentalen Shakespeare Sinn Spätboot Spenser Spiel Sprache steht Stelle Stil Symbol Symbolismus Symbolisten Täuschung Theater thought Tiefe tung unsere Verse viel Vorstellung Walter Muschg Walter Pater Wasser weiß Welt Weltliteratur Werk Wesen whole wieder Wirklichkeit Wordsworth Wort Zeitalter Zuschauer