Weltliteratur; Festgabe für Fritz Strich zum 70. GeburtstagWalter Muschg, Emil Staiger |
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Page 164
... imagination is active in the mind of every man . It is , as he puts it , " the living power and pure agent of all human perception , and a repetition in the finite mind of the eternal act of crea- tion in the infinite I AM31 . " It is ...
... imagination is active in the mind of every man . It is , as he puts it , " the living power and pure agent of all human perception , and a repetition in the finite mind of the eternal act of crea- tion in the infinite I AM31 . " It is ...
Page 165
... imagination with the unconscious imaginative activity of the ordinary man at every moment of his life , in every act of perceiving . Coleridge's rejection of the idea of a passive mind , with its corollary of the overthrow of Hartley's ...
... imagination with the unconscious imaginative activity of the ordinary man at every moment of his life , in every act of perceiving . Coleridge's rejection of the idea of a passive mind , with its corollary of the overthrow of Hartley's ...
Page 168
... imaginative fancy , but he has not imagination , in kind or degree , as Shakespeare or Milton have 59. " Of all modern poets Words- worth stands nearest to these two in imaginative power , but " in the play of Fancy he is less ...
... imaginative fancy , but he has not imagination , in kind or degree , as Shakespeare or Milton have 59. " Of all modern poets Words- worth stands nearest to these two in imaginative power , but " in the play of Fancy he is less ...
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allgemeinen ästhetischen Ausdruck Barock Barocktheaters Bedeutung Begriff beiden Beispiel Bern besonders bewußt Bewußtsein Bilder Biographia Literaria bloß Bühne C.F. Meyers Coleridge Coleridge's criticism Denken deutschen Dichter dichterischen Dichtung distinction Drama eigenen Einbildungskraft Emil Staiger English Epoche Erich Auerbach erscheinen erst Fancy Form Fritz Strich ganze Gattungen Gedanken Gedicht Gefühl Gegenstand Gegenwart Geist geistigen George German Geschichte Gestalten gewiß gibt Goethe Gott großen Grunde heißt historische Ideal Idee Imagination Jahre Jahrhundert Klassizismus Kraft Kultur Kunst läßt Leben leicht lich literarischen Literatur Lyrik lyrischen Mallarmé Menschen Meyer mind modern Möglichkeiten Musik musikalischen muß Natur neue Nietzsche Novalis Poesie poet poetry power Raum Renaissance Romanticism Romantik Schauspieler Schein Schiller schließlich Seele sentimentalen Shakespeare Sinn Spätboot Spenser Spiel Sprache steht Stelle Stil Symbol Symbolismus Symbolisten Täuschung Theater thought Tiefe tung unsere Verse viel Vorstellung Walter Muschg Walter Pater Wasser weiß Welt Weltliteratur Werk Wesen whole wieder Wirklichkeit Wordsworth Wort Zeitalter Zuschauer