Weltliteratur; Festgabe für Fritz Strich zum 70. GeburtstagWalter Muschg, Emil Staiger |
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Page 161
... German notebooks from Ottery St. Mary and their impending publication by Professor Kathleen Coburn should provide much new material for the assessment of his German indebtedness . For , in spite of the careful investigations of numerous ...
... German notebooks from Ottery St. Mary and their impending publication by Professor Kathleen Coburn should provide much new material for the assessment of his German indebtedness . For , in spite of the careful investigations of numerous ...
Page 173
... German Literature " in Publications of the English Goethe Society , VI and VIII , 1930 and 1931 . 9 In a Dedication ... German thought and letters see my articles " Coleridge and his German Contemporaries ” in Publ . Eng . Goethe Soc ...
... German Literature " in Publications of the English Goethe Society , VI and VIII , 1930 and 1931 . 9 In a Dedication ... German thought and letters see my articles " Coleridge and his German Contemporaries ” in Publ . Eng . Goethe Soc ...
Page 174
... German Transcendentalists . His conclusions are much like Heine's : “ Es gibt kein Plagiat in der Philosophie ! " It is interesting to find Mr. Read claiming Coleridge as the first of the Existentialists . Coleridge's relations to German ...
... German Transcendentalists . His conclusions are much like Heine's : “ Es gibt kein Plagiat in der Philosophie ! " It is interesting to find Mr. Read claiming Coleridge as the first of the Existentialists . Coleridge's relations to German ...
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allgemeinen ästhetischen Ausdruck Barock Barocktheaters Bedeutung Begriff beiden Beispiel Bern besonders bewußt Bewußtsein Bilder Biographia Literaria bloß Bühne C.F. Meyers Coleridge Coleridge's criticism Denken deutschen Dichter dichterischen Dichtung distinction Drama eigenen Einbildungskraft Emil Staiger English Epoche Erich Auerbach erscheinen erst Fancy Form Fritz Strich ganze Gattungen Gedanken Gedicht Gefühl Gegenstand Gegenwart Geist geistigen George German Geschichte Gestalten gewiß gibt Goethe Gott großen Grunde heißt historische Ideal Idee Imagination Jahre Jahrhundert Klassizismus Kraft Kultur Kunst läßt Leben leicht lich literarischen Literatur Lyrik lyrischen Mallarmé Menschen Meyer mind modern Möglichkeiten Musik musikalischen muß Natur neue Nietzsche Novalis Poesie poet poetry power Raum Renaissance Romanticism Romantik Schauspieler Schein Schiller schließlich Seele sentimentalen Shakespeare Sinn Spätboot Spenser Spiel Sprache steht Stelle Stil Symbol Symbolismus Symbolisten Täuschung Theater thought Tiefe tung unsere Verse viel Vorstellung Walter Muschg Walter Pater Wasser weiß Welt Weltliteratur Werk Wesen whole wieder Wirklichkeit Wordsworth Wort Zeitalter Zuschauer