The New Encyclopaedia Britannica: Macropaedia: knowledge in depth. 19 vEncyclopaedia Britannica, Incorporated, 1981 - Encyclopedias and dictionaries |
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Page 5
... Styles equal in number to the carpels , free or rarely fused , or very rarely only 1 carpel with a style . Fruit typically a schizo- carp breaking up into 3 frequently winged mericarps , but sometimes nutlike or drupaceous . Seeds ...
... Styles equal in number to the carpels , free or rarely fused , or very rarely only 1 carpel with a style . Fruit typically a schizo- carp breaking up into 3 frequently winged mericarps , but sometimes nutlike or drupaceous . Seeds ...
Page 188
... style brought by immigrant Italians ; this , however , in time acquired an English idiom . The work was done mainly in London . In the 17th century these two traditions were welded into one , spurred by the proclamation of 1615 that for ...
... style brought by immigrant Italians ; this , however , in time acquired an English idiom . The work was done mainly in London . In the 17th century these two traditions were welded into one , spurred by the proclamation of 1615 that for ...
Page 654
... style . Igor Stravinsky , who was a little of both , first mirrored some of Debussy's harmonic usage in Le Sacre du printemps ( The Rite of Spring ; 1913 ) . In Le Sacre , chords appear , as they often do in Debussy , purely for their ...
... style . Igor Stravinsky , who was a little of both , first mirrored some of Debussy's harmonic usage in Le Sacre du printemps ( The Rite of Spring ; 1913 ) . In Le Sacre , chords appear , as they often do in Debussy , purely for their ...
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