Lectures on Shakespeare, Volume 1Baker and Scribner, 1848 - Dramatists, English |
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Page 24
... perfect beauty and perfect origi- nality met together in the offspring . It was Shakspeare's prerogative , then , to create mod- els , not to follow them . Himself alone is his own pro- totype . Uniting the insight to discern , the ...
... perfect beauty and perfect origi- nality met together in the offspring . It was Shakspeare's prerogative , then , to create mod- els , not to follow them . Himself alone is his own pro- totype . Uniting the insight to discern , the ...
Page 27
... perfect aloofness of his own individuality from the rep- resentation , which stands out so conspicuously in his dramas . He is himself no part of the object revealed , but only the light that reveals . It is as if some all - see- ing ...
... perfect aloofness of his own individuality from the rep- resentation , which stands out so conspicuously in his dramas . He is himself no part of the object revealed , but only the light that reveals . It is as if some all - see- ing ...
Page 44
... perfect accuracy the course of the hours and minutes , at the same time disclose the whole combina- tion of springs and wheels whereby they are moved . Therefore it is that his characters often seem more real than the characters about ...
... perfect accuracy the course of the hours and minutes , at the same time disclose the whole combina- tion of springs and wheels whereby they are moved . Therefore it is that his characters often seem more real than the characters about ...
Page 49
... ; to keep behind his subject , instead of getting upon it . So that it seems doubtful whether this perfect self - aloofness from his rep- resentations declares more strongly for his purity or for his 3 PERCEPTIVE POWERS . 49.
... ; to keep behind his subject , instead of getting upon it . So that it seems doubtful whether this perfect self - aloofness from his rep- resentations declares more strongly for his purity or for his 3 PERCEPTIVE POWERS . 49.
Page 50
... perfect absence of Shakspeare from his own pages , makes it difficult for us to conceive of a human being's having written them . The secret of this probably is , Milton had nearly all of Shakspeare's imagination , but perhaps not a ...
... perfect absence of Shakspeare from his own pages , makes it difficult for us to conceive of a human being's having written them . The secret of this probably is , Milton had nearly all of Shakspeare's imagination , but perhaps not a ...
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Common terms and phrases
abstrac Accordingly affection altogether ancient appears beauty Ben Jonson better breath character Classic Comedy of Errors conceive countess course critics culture Daugh divine doth doubtless drama duke equally excellence exem expression faculties Falstaff feelings female former genius gentle Gentlemen of Verona give grace hand happiness harmony hath heart heaven honour human Hume humour imagination individual infinite innate inspired instruction intellectual irresistible grace laws less living look Love's Labour's Lost means ment mind moral Nahum Tate nature ness never noble objects once passion perfect perhaps persons Petruchio play poet poet's poetry pride prince principle probably reason rich scenes scorn seems sense Shak Shakspeare Shakspeare's Shylock sometimes sonnets sort soul speak spirit supposed sweet sympathies taste thing thought tion tongue true truth ture unfolds unity utter Viola virtue Warwickshire wherein whole WINTER'S TALE wisdom word worth
Popular passages
Page 223 - But love, first learned in a lady's eyes, Lives not alone immured in the brain; But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices.
Page 36 - Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace : » Referring to the obsequies for the dead.
Page 223 - Above their functions and their offices. It adds a precious seeing to the eye ; A lover's eyes will gaze an eagle blind ; A lover's ear will hear the lowest sound, When the suspicious head of theft is stopp'd ; Love's feeling is more soft and sensible, Than are the tender horns of cockled* snails...
Page 38 - And peace proclaims olives of endless age. Now with the drops of this most balmy time My love looks fresh, and Death to me subscribes, Since, spite of him, I'll live in this poor rhyme, While he insults o'er dull and speechless tribes: And thou in this shalt find thy monument, When tyrants' crests and tombs of brass are spent.
Page 30 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
Page 35 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Page 317 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Page 62 - Stranger! henceforth be warned; and know, that pride, Howe'er disguised in its own majesty, Is littleness ; that he who feels contempt For any living thing, hath faculties Which he has never used ; that thought with him Is in its infancy.
Page 31 - They were but sweet, but figures of delight, Drawn after you, you pattern of all those. Yet seem'd it winter still, and, you away, As with your shadow I with these did play.
Page 13 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was (indeed) honest, and of an open and free nature ; had an excellent phantasy, brave notions and gentle expressions...