Lectures on Shakespeare, Volume 1Baker and Scribner, 1848 - Dramatists, English |
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Page xi
... CLASSIC AND ROMANTIC DRAMA - UNITIES OF TIME AND PLACE , LECTURE V. · 129 SHAKSPEARE'S ALLEGED WANT OF TASTE - HIS FEMALE CHAR- ACTERS , LECTURE VI . · 167 MERRY WIVES OF WINDSOR - COMEDY OF ERRORS - TWO GEN- TLEMEN OF VERONA - LOVE'S ...
... CLASSIC AND ROMANTIC DRAMA - UNITIES OF TIME AND PLACE , LECTURE V. · 129 SHAKSPEARE'S ALLEGED WANT OF TASTE - HIS FEMALE CHAR- ACTERS , LECTURE VI . · 167 MERRY WIVES OF WINDSOR - COMEDY OF ERRORS - TWO GEN- TLEMEN OF VERONA - LOVE'S ...
Page 22
... Classic drama , an- other to create what has since been called the Gothic , or Romantic drama . At the head of the former party was Jonson , who , though ten years younger than Shak- speare , begun his career as a writer about the same ...
... Classic drama , an- other to create what has since been called the Gothic , or Romantic drama . At the head of the former party was Jonson , who , though ten years younger than Shak- speare , begun his career as a writer about the same ...
Page 23
... classic drama , with all its surpassing beauty , could but entomb the spirit of the past ; -a spirit which had long since passed out of actual life , and survived only in the immortality of ancient art ; while the demand was , for a ...
... classic drama , with all its surpassing beauty , could but entomb the spirit of the past ; -a spirit which had long since passed out of actual life , and survived only in the immortality of ancient art ; while the demand was , for a ...
Page 24
... classic form , and would not be recognized there if it should ; and therefore had to originate and shape a new form of its own . The creation of this new form was the problem for the dramatist to solve , when Jonson wrote . Striv . ing ...
... classic form , and would not be recognized there if it should ; and therefore had to originate and shape a new form of its own . The creation of this new form was the problem for the dramatist to solve , when Jonson wrote . Striv . ing ...
Page 25
... Classic drama bore to ancient culture . For though , in the words of Jonson , " he was not of one age , but for all time , " he neverthe- less includes the age in which he lived , as the greater includes the less . While , therefore ...
... Classic drama bore to ancient culture . For though , in the words of Jonson , " he was not of one age , but for all time , " he neverthe- less includes the age in which he lived , as the greater includes the less . While , therefore ...
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Common terms and phrases
abstrac Accordingly affection altogether ancient appears beauty Ben Jonson better breath character Classic Comedy of Errors conceive countess course critics culture Daugh divine doth doubtless drama duke equally excellence exem expression faculties Falstaff feelings female former genius gentle Gentlemen of Verona give grace hand happiness harmony hath heart heaven honour human Hume humour imagination individual infinite innate inspired instruction intellectual irresistible grace laws less living look Love's Labour's Lost means ment mind moral Nahum Tate nature ness never noble objects once passion perfect perhaps persons Petruchio play poet poet's poetry pride prince principle probably reason rich scenes scorn seems sense Shak Shakspeare Shakspeare's Shylock sometimes sonnets sort soul speak spirit supposed sweet sympathies taste thing thought tion tongue true truth ture unfolds unity utter Viola virtue Warwickshire wherein whole WINTER'S TALE wisdom word worth
Popular passages
Page 223 - But love, first learned in a lady's eyes, Lives not alone immured in the brain; But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices.
Page 36 - Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace : » Referring to the obsequies for the dead.
Page 223 - Above their functions and their offices. It adds a precious seeing to the eye ; A lover's eyes will gaze an eagle blind ; A lover's ear will hear the lowest sound, When the suspicious head of theft is stopp'd ; Love's feeling is more soft and sensible, Than are the tender horns of cockled* snails...
Page 38 - And peace proclaims olives of endless age. Now with the drops of this most balmy time My love looks fresh, and Death to me subscribes, Since, spite of him, I'll live in this poor rhyme, While he insults o'er dull and speechless tribes: And thou in this shalt find thy monument, When tyrants' crests and tombs of brass are spent.
Page 30 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
Page 35 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Page 317 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Page 62 - Stranger! henceforth be warned; and know, that pride, Howe'er disguised in its own majesty, Is littleness ; that he who feels contempt For any living thing, hath faculties Which he has never used ; that thought with him Is in its infancy.
Page 31 - They were but sweet, but figures of delight, Drawn after you, you pattern of all those. Yet seem'd it winter still, and, you away, As with your shadow I with these did play.
Page 13 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was (indeed) honest, and of an open and free nature ; had an excellent phantasy, brave notions and gentle expressions...