The Director [ed. by T.F. Dibdin]., Volume 2Thomas Frognall Dibdin 1807 |
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Page 12
... beautiful extravagancies of the fanciful Haydn . I have heard , with delight , the sacred music of the old Italian masters ; the Masses of Pergolesi and Leo , the An- thems of Marcello and Palestrina . There is no author of celebrity ...
... beautiful extravagancies of the fanciful Haydn . I have heard , with delight , the sacred music of the old Italian masters ; the Masses of Pergolesi and Leo , the An- thems of Marcello and Palestrina . There is no author of celebrity ...
Page 14
... beautiful cannot easily be decided . The given was purposely written without reference to it , but receives the strongest confirmation from it . delivery of the words , " for the mouth of 14 On the Moral Effects of Music .
... beautiful cannot easily be decided . The given was purposely written without reference to it , but receives the strongest confirmation from it . delivery of the words , " for the mouth of 14 On the Moral Effects of Music .
Page 22
... beautiful , trumpet accompaniment , still shew that new contrasts are conti- nually in the power of this composer . The duet , the short chorus , and the air that follow , particularly the latter , are full of beauties . But as if to ...
... beautiful , trumpet accompaniment , still shew that new contrasts are conti- nually in the power of this composer . The duet , the short chorus , and the air that follow , particularly the latter , are full of beauties . But as if to ...
Page 28
... Cupid is represented as a beautiful boy , of about 12 years of very age , sporting with a snake , which , by his presence , seems disarmed of its terrors . A brilliant butterfly is perched upon his bow ; and 28 British Gallery .
... Cupid is represented as a beautiful boy , of about 12 years of very age , sporting with a snake , which , by his presence , seems disarmed of its terrors . A brilliant butterfly is perched upon his bow ; and 28 British Gallery .
Page 31
... beautiful effort of his pencil , shewn himself master of all those powers of touch and colour- ing , which have rendered Sir Joshua's picture so popular . No. 148. The past , the present , and the coming hour . J. Shelley . THIS elegant ...
... beautiful effort of his pencil , shewn himself master of all those powers of touch and colour- ing , which have rendered Sir Joshua's picture so popular . No. 148. The past , the present , and the coming hour . J. Shelley . THIS elegant ...
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