Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 50Gale Research Company, 1984 |
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Page 69
... called " a wonderful confusion of carnal matters and spiritual , " 18 has explained to Jes- sica that she cannot go to heaven since she is a Jewess , but that her conversion to Christianity would only succeed in hurting the ...
... called " a wonderful confusion of carnal matters and spiritual , " 18 has explained to Jes- sica that she cannot go to heaven since she is a Jewess , but that her conversion to Christianity would only succeed in hurting the ...
Page 205
... ( called by Brutus " a bloody spectacle " ) or the spectacle of the play itself . This juxtaposition of spectacle and politics extends beyond the scene of the presentation of Caesar's body . The metonymic contamination whereby Antony's ...
... ( called by Brutus " a bloody spectacle " ) or the spectacle of the play itself . This juxtaposition of spectacle and politics extends beyond the scene of the presentation of Caesar's body . The metonymic contamination whereby Antony's ...
Page 365
... called a " mirror - scene , " a grotesque reflection of the main plot , and Shakespeare assigns most of this work to Fletcher . We think that when the Jailer's Daughter finds one cousin as " fair " as the next ( as good - looking ) and ...
... called a " mirror - scene , " a grotesque reflection of the main plot , and Shakespeare assigns most of this work to Fletcher . We think that when the Jailer's Daughter finds one cousin as " fair " as the next ( as good - looking ) and ...
Contents
Social Class in Shakespeares Plays | 1 |
Coriolanus | 99 |
Julius Caesar | 185 |
Copyright | |
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action actor Antony Antony's Arcite's argued aristocratic assassination audience Aufidius blood body Brutus Brutus's Cade Cambridge Casca Caska Cassius character Chaucer Cicero comedy comic common conspirators Corio Coriolanus Coriolanus's court critics culture Cynic Daugh death Decius drama early modern Elizabethan Emilia emulation England English Epicurean essay fear Fletcher Greville Henry hero heroic honor interpretation Jailer's Daughter James Julius Caesar King King Lear Knight's Tale language lanus Lear London lord Martius means Menenius ment Midsummer Night's Dream moral Noble Kinsmen Oxford Palamon Palamon and Arcite patricians Pirithous play's plebeians plot Plutarch political poor popular Queen Renaissance rhetoric ritual Rome says scene seems senate sense sexual Shake Shakespeare Shakespeare's plays social speak speare speare's speech stage Stoic suggests theater theatrical Theseus Theseus's things thou tion Titus Andronicus traditional tragedy tragic tribunes Tudor voice Wooer words wounds