Shakespeare and Cultural Traditions: The Selected Proceedings of the International Shakespeare Association World Congress, Tokyo, 1991"The lectures delivered by the four plenary speakers of the congress are published here: Stephen Greenblatt's groundbreaking paper on witchcraft and Macbeth: Germaine Greer's perceptive analysis of the presence of the proletariat in Shakespeare's plays: Ruth Nevo's intriguing exploration of Freudian perspectives on Hamlet; and Takashi Sasayama's important comparative study of tragedy and emotion in Shakespeare and Chikamatsu. This volume also includes papers by other Shakespearean scholars of international reputation, offering fresh insights into many topics of interest. Among them are John Russell Brown on "Shakespeare's Plays and Traditions of Playgoing"; Sukanta Chaudhuri on "Shakespeare and the Ethnic Question"; Werner Habicht on the German Shakespeare tradition; Alexander Leggatt on bearbaiting; Avraham Oz on The Merchant of Venice; Annabel Patterson and Taming of the Shrew; and Gary Taylor on "Bardicide."" "Taken together, the essays collected in Shakespeare and Cultural Traditions constitute a remarkable range of responses to Shakespeare's enduring art and offer a truly international and multicultural assessment of his presence in the world today."--BOOK JACKET. |
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Results 1-3 of 41
Page 157
... turn out to be imaginary constructs forged either by themselves or by others . Disguises , deceptions , mistaken ... turns to the entire guild of Venetian merchants , each of whom volunteers to tell him who he really is , what his ...
... turn out to be imaginary constructs forged either by themselves or by others . Disguises , deceptions , mistaken ... turns to the entire guild of Venetian merchants , each of whom volunteers to tell him who he really is , what his ...
Page 174
... turns , but the resulting ambiguity must be read in terms we may not find congenial or even readily accessible ... turn by Shylock's defensive discourse . Moreover , the action assigns to Shylock no more than a secondary role , and ...
... turns , but the resulting ambiguity must be read in terms we may not find congenial or even readily accessible ... turn by Shylock's defensive discourse . Moreover , the action assigns to Shylock no more than a secondary role , and ...
Page 184
... turn the back on , there could be no intimate or affectionate Us to turn the eye to . . . . [ T ] he river on this side of which initiative and honesty stroll arm in arm wearing sen- sible clothes , and beyond which is a savage ...
... turn the back on , there could be no intimate or affectionate Us to turn the eye to . . . . [ T ] he river on this side of which initiative and honesty stroll arm in arm wearing sen- sible clothes , and beyond which is a savage ...
Contents
List of Contributors | 9 |
Shakespeare and Bearbaiting | 43 |
Popular Rebellion Utopia | 76 |
Copyright | |
16 other sections not shown
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action actors appears audience bear become beginning body called Cambridge century characters common course criticism cultural death discourse doubt drama early effect Elizabethan England English example expressed fact figure final followed German give Hamlet hand Henry human idea identity imagination important interest Japanese John kind King later Lear less lines lists live London look Macbeth matter means Merchant mind moral nature never Notes original Othello Oxford performance play poet political popular possible present production question reason reference Renaissance response romantic scene seems sense Shake Shakespeare Shylock social society Sonnet speak speech stage suggests theater theatrical thing Thomas thought tion tradition tragedy translation turn University Press Venice wife witches women writes York