Shakespeare and Cultural Traditions: The Selected Proceedings of the International Shakespeare Association World Congress, Tokyo, 1991"The lectures delivered by the four plenary speakers of the congress are published here: Stephen Greenblatt's groundbreaking paper on witchcraft and Macbeth: Germaine Greer's perceptive analysis of the presence of the proletariat in Shakespeare's plays: Ruth Nevo's intriguing exploration of Freudian perspectives on Hamlet; and Takashi Sasayama's important comparative study of tragedy and emotion in Shakespeare and Chikamatsu. This volume also includes papers by other Shakespearean scholars of international reputation, offering fresh insights into many topics of interest. Among them are John Russell Brown on "Shakespeare's Plays and Traditions of Playgoing"; Sukanta Chaudhuri on "Shakespeare and the Ethnic Question"; Werner Habicht on the German Shakespeare tradition; Alexander Leggatt on bearbaiting; Avraham Oz on The Merchant of Venice; Annabel Patterson and Taming of the Shrew; and Gary Taylor on "Bardicide."" "Taken together, the essays collected in Shakespeare and Cultural Traditions constitute a remarkable range of responses to Shakespeare's enduring art and offer a truly international and multicultural assessment of his presence in the world today."--BOOK JACKET. |
From inside the book
Results 1-3 of 81
Page 59
... king lives concealed from the vulgar gaze by ranks of hierophants , appears masked , and speaks a different language from his subjects , who are forbidden to look upon him , but must prostrate themselves at his passing . The monarch who ...
... king lives concealed from the vulgar gaze by ranks of hierophants , appears masked , and speaks a different language from his subjects , who are forbidden to look upon him , but must prostrate themselves at his passing . The monarch who ...
Page 63
... King John , a play in which the entire cast , with the exception of the characters called " Citizen " and " Hubert , " is patrician . Gesturing about him to the offstage mob , the Bastard cries : ... these scroyles of Angers flout you , ...
... King John , a play in which the entire cast , with the exception of the characters called " Citizen " and " Hubert , " is patrician . Gesturing about him to the offstage mob , the Bastard cries : ... these scroyles of Angers flout you , ...
Page 86
... king — that is , of the Duke of York his master . But as Henry VI is himself a weak king dominated by Margaret and people like Suffolk , the idea of substantial rule in the play seems nowhere to be found . More than a proto ...
... king — that is , of the Duke of York his master . But as Henry VI is himself a weak king dominated by Margaret and people like Suffolk , the idea of substantial rule in the play seems nowhere to be found . More than a proto ...
Contents
List of Contributors | 9 |
Shakespeare and Bearbaiting | 43 |
Popular Rebellion Utopia | 76 |
Copyright | |
16 other sections not shown
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