The Cambridge Companion to MiltonDennis Danielson An accessible, helpful guide for any student of Milton, whether undergraduate or graduate, introducing readers to the scope of Milton's work, the richness of its historical relations, and the range of current approaches to it. This second edition contains several new and revised essays, reflecting increasing emphasis on Milton's politics, the social conditions of his authorship and the climate in which his works were published and received, a fresh sense of the importance of his early poems and Samson Agonistes, and the changes wrought by gender studies on the criticism of the previous decade. By contrast with other introductions to Milton, this Companion gathers an international team of scholars, whose informative, stimulating and often argumentative essays will provoke thought and discussion in and out of the classroom. The Companion's reading lists and extended bibliography offer readers the necessary tools for further informed exploration of Milton studies. |
From inside the book
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... songs fromtheOld Testamentsuggests his religious convictionandhis father's musical influence.Although few records exist about Milton's time atSt Paul's, we know that he learned toreadand write Latin fluently, and eventually studied ...
... songs fromtheOld Testamentsuggests his religious convictionandhis father's musical influence.Although few records exist about Milton's time atSt Paul's, we know that he learned toreadand write Latin fluently, and eventually studied ...
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... song. In Epitaphium Damonis andMansus,another Latin poem probably composedaround 1638–9,Milton continuesto discusshis poetic aspirations, specifically raising the possibility of writing a longer work about various British and biblical ...
... song. In Epitaphium Damonis andMansus,another Latin poem probably composedaround 1638–9,Milton continuesto discusshis poetic aspirations, specifically raising the possibility of writing a longer work about various British and biblical ...
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... songs for his court entertainments; he wrotea sonnet to hisfriend Catharine Thomason, the wife of the bookseller and collector George Thomason; and whenthe copyof his 1645 Poems waslostorpilfered fromthe library atOxford University ...
... songs for his court entertainments; he wrotea sonnet to hisfriend Catharine Thomason, the wife of the bookseller and collector George Thomason; and whenthe copyof his 1645 Poems waslostorpilfered fromthe library atOxford University ...
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Contents
Lycidas | |
the future poet | |
Miltons politics MARTIN DZELZAINIS | |
THOMAS N CORNS 7 Miltons sonnets and his contemporaries | |
Language and knowledgeinParadise Lost | |
The Fall and Miltons theodicy | |
Milton and the reforming spirit | |
14 | |
Reading Samson Agonistes | |
JOAN S BENNETT 16 Miltons readers | |
17 | |
18 | |
Index | |
Milton and the sexes | |
Common terms and phrases
Adam Adam and Eve Adam’s andthe angels Areopagitica argument asthe atthe biblical Book bythe Cambridge Companion Charles Christ Christian church ChurchGovernment classical Comus contemporary critics Dalila Defensio divine divorce Doctrine Eclogue edited Eikon Basilike Eikonoklastes Elegy England English Essays Eve’s evil Fall father fromthe genres God’s heaven human inMilton’s interpretation inthe itis Jesus John Milton King L’Allegro language Latin Lewalski liberty literary Literature London Ludlow Lycidas marriage Masque Milton Studies Milton’s epic Milton’s poetry Milton’s prose Miltonand moral narrative ofhis ofMilton’s ofthe onthe Oxford pamphlets Paradise Lost Paradise Regained pastoral Philistine philosophy poem poem’s poet poet’s poetic political prelapsarian present Princeton Protestant psalm published readers reading Reformation religious Renaissance Republicanism Rhetoric rptd Samson Agonistes Satan Scripture sestet seventeenthcentury sexual song sonnet Spirit Testament thatthe thee theodicy thepoem thou thought tobe tohis tothe Tradition tragedy verse withthe Wittreich writing York