The Cambridge Companion to Roman SatireKirk Freudenburg Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift. |
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Page viii
... play 177 THOMAS HABINEK II Satire in a ritual context 192 FRITZ GRAF 12 Satire and the poet : the body as self - referential symbol 207 ALESSANDRO BARCHIESI AND ANDREA CUCCHIARELLI 13 The libidinal rhetoric of satire ERIK GUNDERSON Part ...
... play 177 THOMAS HABINEK II Satire in a ritual context 192 FRITZ GRAF 12 Satire and the poet : the body as self - referential symbol 207 ALESSANDRO BARCHIESI AND ANDREA CUCCHIARELLI 13 The libidinal rhetoric of satire ERIK GUNDERSON Part ...
Page 7
... , Epicurean satirist ( Horace's own invention ) from those of a Late Republican political lampooner in the traditions of Pitholaos , Calvus , and Catullus . and fair play . But friends who are both direct 7 Introduction.
... , Epicurean satirist ( Horace's own invention ) from those of a Late Republican political lampooner in the traditions of Pitholaos , Calvus , and Catullus . and fair play . But friends who are both direct 7 Introduction.
Page 8
Kirk Freudenburg. and fair play . But friends who are both direct in their criticisms and sensitive to the company at hand ( besides being aware of their own deficiencies ) com- port themselves differently . They open up to one another ...
Kirk Freudenburg. and fair play . But friends who are both direct in their criticisms and sensitive to the company at hand ( besides being aware of their own deficiencies ) com- port themselves differently . They open up to one another ...
Page 9
... play with them this way is to articulate the satirist's own sense of fair play . And that , Habinek insists , comes not from handbooks and literary traditions , but from social practices of long standing , mostly of a non - literary ...
... play with them this way is to articulate the satirist's own sense of fair play . And that , Habinek insists , comes not from handbooks and literary traditions , but from social practices of long standing , mostly of a non - literary ...
Page 10
... played censor for all of Rome , thus filling an open slot on the Roman library's Latin shelves that corresponds roughly to the poets of Old Comedy on the Greek side ( again see Muecke ) , Horace avoids the political fray . He privatizes ...
... played censor for all of Rome , thus filling an open slot on the Roman library's Latin shelves that corresponds roughly to the poets of Old Comedy on the Greek side ( again see Muecke ) , Horace avoids the political fray . He privatizes ...
Contents
Romes first satirists themes and genre in Ennius and Lucilius | 33 |
The restless companion Horace Satires 1 and 2 | 48 |
Speaking from silence the Stoic paradoxes of Persius | 62 |
The poor mans feast Juvenal | 81 |
Citation and authority in Senecas Apocolocyntosis | 95 |
Late arrivals Julian and Boethius | 109 |
Epic allusion in Romance satire | 123 |
Sleeping with the enemy satire and philosophy | 146 |
Satire and the poet the body as selfreferential symbol | 207 |
The libidinal rhetoric of satire | 224 |
Roman satire in the sixteenth century | 243 |
Alluding to satire Rochester Dryden and others | 261 |
The Horatian and the Juvenalesque in English letters | 284 |
The presence of Roman satire modern receptions and their interpretative implications | 299 |
a volume retrospect on Roman satires | 309 |
Key dates for the study of Roman satire | 319 |
The satiric maze Petronius satire and the novel | 160 |
Satire as aristocratic play | 177 |
Satire in a ritual context | 192 |
323 | |
342 | |
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Common terms and phrases
allusion ancient Annales Apocolocyntosis Archestratus attack audience Augustus Bakhtin body Boethius Braund Callimachus Cambridge Companion carnival century Choliambs Cicero classical Claudius comic context critical Cucchiarelli culture dialogue discourse Dryden edited élite Elizabethan emperor English Ennius epic Epistles especially Eumolpus Fescennini Freudenburg 1993 Freudenburg 2001 genre genre's Greek Henderson hexameter Homer Horace Horace's Horatian Horatian satire iambic imitation Jonson Juvenal Juvenal's Juvenalian Latin literary literature look Lucian Lucilian Lucilius Lupus Maecenas means Menippean satire Menippus meter modern moral Naevolus narrator novel Old Comedy parody Persius Petronius philosophy play pleasure poem poet poet's poetic poetry political Pope Quintilian quotation readers Relihan rhetoric Rochester Rochester's Roman satire Rome Rome's Romulus satire's satirist satura Satyricon satyrs scurra Seneca Sermones sexual social speak speech Stoic Stoicism Suetonius Tacitus themes tradition translation Varro verse satire Virgil words write satire