The Cambridge Companion to Roman SatireKirk Freudenburg Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift. |
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Page xiii
... matters crucially to the study of Roman satire . The standards set by the Cambridge Companion series are high , and a suitably serious attempt was made to meet them by the contributors of this volume . That said , I should make clear ...
... matters crucially to the study of Roman satire . The standards set by the Cambridge Companion series are high , and a suitably serious attempt was made to meet them by the contributors of this volume . That said , I should make clear ...
Page 2
... matters , for it is emotionally charged ; a way of breathing a sigh of relief , midway inside a long list of Roman generic enterprises , all modeled after Greek precedents , themselves reviewed earlier in the same book , and saying ...
... matters , for it is emotionally charged ; a way of breathing a sigh of relief , midway inside a long list of Roman generic enterprises , all modeled after Greek precedents , themselves reviewed earlier in the same book , and saying ...
Page 4
... matter of specific social desires having inched their way into the criticism of satire from the outside . Rather , the overstatement of the genre's Romanness is a direct consequence of the way that satire was made to speak by Lucilius ...
... matter of specific social desires having inched their way into the criticism of satire from the outside . Rather , the overstatement of the genre's Romanness is a direct consequence of the way that satire was made to speak by Lucilius ...
Page 8
... matters of gentlemanly comportment . 16 These theories insisted that jokes and critical jabs had to be used with utmost care because they were direct and open expressions of one's nobility and worth . Certain men of high standing ...
... matters of gentlemanly comportment . 16 These theories insisted that jokes and critical jabs had to be used with utmost care because they were direct and open expressions of one's nobility and worth . Certain men of high standing ...
Page 12
... matter of debate . Persius ( CE 34-62 ) was heavily influenced by Horace . He imitates him incessantly on his way to ... matters of the city , its persons , politics , enthusiasms , to matters of the soul . Which is not to say that ...
... matter of debate . Persius ( CE 34-62 ) was heavily influenced by Horace . He imitates him incessantly on his way to ... matters of the city , its persons , politics , enthusiasms , to matters of the soul . Which is not to say that ...
Contents
Romes first satirists themes and genre in Ennius and Lucilius | 33 |
The restless companion Horace Satires 1 and 2 | 48 |
Speaking from silence the Stoic paradoxes of Persius | 62 |
The poor mans feast Juvenal | 81 |
Citation and authority in Senecas Apocolocyntosis | 95 |
Late arrivals Julian and Boethius | 109 |
Epic allusion in Romance satire | 123 |
Sleeping with the enemy satire and philosophy | 146 |
Satire and the poet the body as selfreferential symbol | 207 |
The libidinal rhetoric of satire | 224 |
Roman satire in the sixteenth century | 243 |
Alluding to satire Rochester Dryden and others | 261 |
The Horatian and the Juvenalesque in English letters | 284 |
The presence of Roman satire modern receptions and their interpretative implications | 299 |
a volume retrospect on Roman satires | 309 |
Key dates for the study of Roman satire | 319 |
The satiric maze Petronius satire and the novel | 160 |
Satire as aristocratic play | 177 |
Satire in a ritual context | 192 |
323 | |
342 | |
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Common terms and phrases
allusion ancient Annales Apocolocyntosis Archestratus attack audience Augustus Bakhtin body Boethius Braund Callimachus Cambridge Companion carnival century Choliambs Cicero classical Claudius comic context critical Cucchiarelli culture dialogue discourse Dryden edited élite Elizabethan emperor English Ennius epic Epistles especially Eumolpus Fescennini Freudenburg 1993 Freudenburg 2001 genre genre's Greek Henderson hexameter Homer Horace Horace's Horatian Horatian satire iambic imitation Jonson Juvenal Juvenal's Juvenalian Latin literary literature look Lucian Lucilian Lucilius Lupus Maecenas means Menippean satire Menippus meter modern moral Naevolus narrator novel Old Comedy parody Persius Petronius philosophy play pleasure poem poet poet's poetic poetry political Pope Quintilian quotation readers Relihan rhetoric Rochester Rochester's Roman satire Rome Rome's Romulus satire's satirist satura Satyricon satyrs scurra Seneca Sermones sexual social speak speech Stoic Stoicism Suetonius Tacitus themes tradition translation Varro verse satire Virgil words write satire