The Cambridge Companion to Roman SatireKirk Freudenburg Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift. |
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Page i
... genre that could address the problems of city life from the perspective of a " real Roman . " In this Cambridge ... genre's further development , reception , and translation . in Elizabethan England and beyond . Included are studies ...
... genre that could address the problems of city life from the perspective of a " real Roman . " In this Cambridge ... genre's further development , reception , and translation . in Elizabethan England and beyond . Included are studies ...
Page xiii
... genre's various regions , its topographical contours , and even its final frontier . Where you end that quest is your own business , and this book certainly does not propose to take you there . At best , it proposes to start you on your ...
... genre's various regions , its topographical contours , and even its final frontier . Where you end that quest is your own business , and this book certainly does not propose to take you there . At best , it proposes to start you on your ...
Page 1
... genre can be accounted " totally ours . " The claim is tendentious because extreme , and true only in a highly qualified sense . For ancient critics had long since sought to establish the genre's Greek pedigree by tracing its ...
... genre can be accounted " totally ours . " The claim is tendentious because extreme , and true only in a highly qualified sense . For ancient critics had long since sought to establish the genre's Greek pedigree by tracing its ...
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... genre as something practiced specifically apud Romanos we can detect telltale traces of an alternate ideal , that of the genre's being exception- ally and / or completely Roman . Or in Quintilian's words , " totally ours . " Quintilian ...
... genre as something practiced specifically apud Romanos we can detect telltale traces of an alternate ideal , that of the genre's being exception- ally and / or completely Roman . Or in Quintilian's words , " totally ours . " Quintilian ...
Page 14
... genre , and dominate so much conventional satiric theory and writing , in the genre's second major flourishing in Elizabethan England . For scholars of English satire especially , the zero - grade of Juvenal has long served as a kind of ...
... genre , and dominate so much conventional satiric theory and writing , in the genre's second major flourishing in Elizabethan England . For scholars of English satire especially , the zero - grade of Juvenal has long served as a kind of ...
Contents
Romes first satirists themes and genre in Ennius and Lucilius | 33 |
The restless companion Horace Satires 1 and 2 | 48 |
Speaking from silence the Stoic paradoxes of Persius | 62 |
The poor mans feast Juvenal | 81 |
Citation and authority in Senecas Apocolocyntosis | 95 |
Late arrivals Julian and Boethius | 109 |
Epic allusion in Romance satire | 123 |
Sleeping with the enemy satire and philosophy | 146 |
Satire and the poet the body as selfreferential symbol | 207 |
The libidinal rhetoric of satire | 224 |
Roman satire in the sixteenth century | 243 |
Alluding to satire Rochester Dryden and others | 261 |
The Horatian and the Juvenalesque in English letters | 284 |
The presence of Roman satire modern receptions and their interpretative implications | 299 |
a volume retrospect on Roman satires | 309 |
Key dates for the study of Roman satire | 319 |
The satiric maze Petronius satire and the novel | 160 |
Satire as aristocratic play | 177 |
Satire in a ritual context | 192 |
323 | |
342 | |
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Common terms and phrases
allusion ancient Annales Apocolocyntosis Archestratus attack audience Augustus Bakhtin body Boethius Braund Callimachus Cambridge Companion carnival century Choliambs Cicero classical Claudius comic context critical Cucchiarelli culture dialogue discourse Dryden edited élite Elizabethan emperor English Ennius epic Epistles especially Eumolpus Fescennini Freudenburg 1993 Freudenburg 2001 genre genre's Greek Henderson hexameter Homer Horace Horace's Horatian Horatian satire iambic imitation Jonson Juvenal Juvenal's Juvenalian Latin literary literature look Lucian Lucilian Lucilius Lupus Maecenas means Menippean satire Menippus meter modern moral Naevolus narrator novel Old Comedy parody Persius Petronius philosophy play pleasure poem poet poet's poetic poetry political Pope Quintilian quotation readers Relihan rhetoric Rochester Rochester's Roman satire Rome Rome's Romulus satire's satirist satura Satyricon satyrs scurra Seneca Sermones sexual social speak speech Stoic Stoicism Suetonius Tacitus themes tradition translation Varro verse satire Virgil words write satire