Lectures on the British Poets, Volume 1 |
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Page iii
... present volumes are probably the last of my brother's works which I shall publish . The lectures already issued have been most kindly received on both sides of the Atlantic ; and it would be ungraceful were I to omit , for myself and ...
... present volumes are probably the last of my brother's works which I shall publish . The lectures already issued have been most kindly received on both sides of the Atlantic ; and it would be ungraceful were I to omit , for myself and ...
Page vii
... present age not an unpoetical one - Five names worthy of distinction- Samuel Rogers - The " Pleasures of Memory " -Rogers's " Italy " -Galileo and Milton - Moore's Songs - Irish patriotism - The true question respect- ing poetical ...
... present age not an unpoetical one - Five names worthy of distinction- Samuel Rogers - The " Pleasures of Memory " -Rogers's " Italy " -Galileo and Milton - Moore's Songs - Irish patriotism - The true question respect- ing poetical ...
Page 1
... finding utterance in the music of English words , that opinion will not be condemned for its extravagance . It is a large field to travel over ; and , therefore , among the introduc- B ང tory topies at present to be noticed , it.
... finding utterance in the music of English words , that opinion will not be condemned for its extravagance . It is a large field to travel over ; and , therefore , among the introduc- B ང tory topies at present to be noticed , it.
Page 2
Henry Reed. ང tory topies at present to be noticed , it is necessary to advert to the general plan , which will , however , more satisfactorily appear when practically illustrated in the succeeding lectures . It will be my aim to convey ...
Henry Reed. ང tory topies at present to be noticed , it is necessary to advert to the general plan , which will , however , more satisfactorily appear when practically illustrated in the succeeding lectures . It will be my aim to convey ...
Page 5
... present time . Besides , criticism on the pro- ductions of the masters in an art possesses greater interest and value than on those which bear a fainter impression of the stamp of genius . It is in the school of mighty artists that ...
... present time . Besides , criticism on the pro- ductions of the masters in an art possesses greater interest and value than on those which bear a fainter impression of the stamp of genius . It is in the school of mighty artists that ...
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Common terms and phrases
admiration ancient beauty bonny Dundee Byron's Canterbury Tales century character Charles Lamb Chaucer Christabel criticism dark deep divine doth drama Dryden early earth Edmund Spenser England English language English poetry ENGLISH SONNETS Fairy Queen faith fame familiar fancy feeling French Revolution genius gentle give glory hand happy Hartley Coleridge hath heart heaven honour human illustration imagination influence inspiration intellectual language lecture light lines literary literature living look Lord Lord Byron meditation mighty Milton mind moral Muse nature never noble o'er Paradise Lost pass passage passion Petrarch philosophy poem poet poet's poetic Pope prose satire Scott sense sentiment Shakspeare Shakspeare's Sir Patrick Spens song sonnet soul sound Spenser spirit stanzas strain sublime sweet sympathy taste thee things thou thought tion true truth utterance verse voice words Wordsworth writings youth
Popular passages
Page 373 - IT is a beauteous evening, calm and free ; The holy time is quiet as a Nun Breathless with adoration...
Page 163 - To ALTHEA FROM PRISON WHEN Love with unconfined wings Hovers within my gates, And my divine Althea brings To whisper at the grates ; When I lie tangled in her hair And fetter'd to her eye, The birds that wanton in the air Know no such liberty.
Page 198 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer; Willing to wound, and yet afraid to strike, Just hint a fault, and hesitate dislike...
Page 108 - Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom.
Page 368 - Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove. O, no! it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken.
Page 332 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Page 25 - These abilities, wheresoever they be found, are the inspired gift of God, rarely bestowed, but yet to some (though most abuse) in every nation; and are of power, beside the office of a pulpit, to inbreed and cherish in a great people the seeds of virtue and public civility, to allay the perturbations of the mind, and set the affections in right tune...
Page 406 - Memory and her siren daughters ; but by devout prayer to that Eternal Spirit who can enrich with all utterance and knowledge, and sends out his seraphim with the hallowed fire of his altar to touch and purify the lips of whom He pleases.
Page 288 - THE OLD FAMILIAR FACES I have had playmates, I have had companions, In my days of childhood, in my joyful school-days; All, all are gone, the old familiar faces. I have been laughing, I have been carousing, Drinking late, sitting late, with my bosom cronies; All, all are gone, the old familiar faces.
Page 276 - I pass, like night, from land to land; I have strange power of speech; That moment that his face I see, I know the man that must hear me: To him my tale I teach.