" Casabianca. 'Casabianca," by Felicia Hemans (1793-1835), is the portrait of a faithful heart, an example of unreasoning obedience. It is right that a child should obey even to the death the commands of a loving parent. THE boy stood on the burning deck, The flame that lit the battle's wreck Yet beautiful and bright he stood, A creature of heroic blood, A proud though childlike form. The flames rolled on-he would not go He called aloud, "Say, father, say He knew not that the chieftain lay "Speak, father!" once again he cried, Upon his brow he felt their breath, And in his waving hair; And looked from that lone post of death, And shouted but once more aloud "My father! must I stay?" While o'er him fast, through sail and shroud, They wrapt the ship in splendour wild, And streamed above the gallant child Then came a burst of thunder sound- With mast, and helm, and pennon fair, Was that young, faithful heart. FELICIA HEMANS. The Captain's Daughter. "The Captain's Daughter," by James T. Fields (1816-81), carries weight with every young audience. It is pointed to an end that children love-viz., trust in a higher power. WE were crowded in the cabin, It was midnight on the waters, 'Tis a fearful thing in winter To be shattered by the blast, And to hear the rattling trumpet Thunder, "Cut away the mast!" So we shuddered there in silence,- As thus we sat in darkness, Each one busy with his prayers, "We are lost!" the captain shouted As he staggered down the stairs. But his little daughter whispered, Then we kissed the little maiden. JAMES T. FIELD ["The 'village smithy' stood in Brattle Street, Cambridge. There came a time when the chestnuttree that shaded it was cut down, and then the children of the place put their pence together and had a chair made for the poet from its wood." The Village Blacksmith. Longfellow (1807-82) is truly the children's poet. His poems are as simple, pathetic, artistic, and philosophical as if they were intended to tell the plain everyday story of life to older people. "The Village Blacksmith” has been learned by thousands of children, and there is no criticism to be put upon it. The age of the child has nothing whatever to do with his learning it. Age does not grade children nor is poetry wholly to be so graded. "Time is the false reply." UNDER a spreading chestnut-tree His hair is crisp, and black, and long; His face is like the tan; His brow is wet with honest sweat, He earns whate'er he can, And looks the whole world in the face, Week in, week out, from morn till night, You can hear him swing his heavy sledge, Like a sexton ringing the village bell, And children coming home from school They love to see the flaming forge, And catch the burning sparks that fly He goes on Sunday to the church, He hears the parson pray and preach, And it makes his heart rejoice. It sounds to him like her mother's voice He needs must think of her once more, And with his hard, rough hand he wipes Toiling, rejoicing,—sorrowing, Thanks, thanks to thee, my worthy friend, Thus at the flaming forge of life HENRY W. LONGFELLOW |