The First Folio Speeches for WomenPatrick Tucker A volume of monologues for women from the First Folio texts of Shakespeare's plays, from the famous to the less familiar. The texts are faithful to the layout, spelling and punctuation of the First Folio, providing clues for the performer to liberate meaning and emotional truth. Detailed notes on how to approach the texts complement the selections. |
From inside the book
Results 1-3 of 29
Page 11
... Tragedie of Hamlet III - 1 , Ophelia Page 96 IV - 7 , Gertrude Page 98 The Tragedie of Julius Cæsar II - 1 , Portia Page 100 II - 1 , Portia Page 102 The Tragedie of Macbeth I - 5 , Lady Macbeth Page 104 I - 7 , Lady Macbeth Page 106 The ...
... Tragedie of Hamlet III - 1 , Ophelia Page 96 IV - 7 , Gertrude Page 98 The Tragedie of Julius Cæsar II - 1 , Portia Page 100 II - 1 , Portia Page 102 The Tragedie of Macbeth I - 5 , Lady Macbeth Page 104 I - 7 , Lady Macbeth Page 106 The ...
Page 89
... 'earth . ' , influenced by anything circular ( such as the Globe ) being known as an O. The gaps are where there are a few words from Dolabella . The Tragedie of Anthonie , and Cleopatra , V - FIRST FOLIO SPEECHES FOR WOMEN 89.
... 'earth . ' , influenced by anything circular ( such as the Globe ) being known as an O. The gaps are where there are a few words from Dolabella . The Tragedie of Anthonie , and Cleopatra , V - FIRST FOLIO SPEECHES FOR WOMEN 89.
Page 105
... Shakespeare has quite clearly indicated otherwise : See Notes 5 & 17 . Editors change ' Th'effect , and hit ' to ' Th'effect , and it ' . The Tragedie of Macbeth , I - 7 LADY MACBETH FIRST FOLIO SPEECHES FOR WOMEN 105.
... Shakespeare has quite clearly indicated otherwise : See Notes 5 & 17 . Editors change ' Th'effect , and hit ' to ' Th'effect , and it ' . The Tragedie of Macbeth , I - 7 LADY MACBETH FIRST FOLIO SPEECHES FOR WOMEN 105.
Contents
Introduction | 15 |
Notes on the Speeches | 22 |
Alls Well that Ends Well | 34 |
Copyright | |
3 other sections not shown
Common terms and phrases
acted as questions actors alliterations and assonances Anthony argument attitude audience behold blood Brutus Cæsar CALIFORNIA/SANTA CRUZ capitalised words capitals character choose the end Cleopatra clue colons and semi-colons CRUZ The University Cymbeline doth double entendre Editors change end words eyes feare feminine ending FOLIO VERSE NOTES full stop Gentlemen of Verona give half-line hath heaven hee's heere Henrie Condell Henry the Sixt Hermia Honor Husbands IMOGEN John Heminge Juliet Julius Cæsar Lady long thoughts looke Lord Macbeth mid-line endings Midsommer Nights Dreame Mistris nice Note 18 Note 22 Note 9 Patrick Tucker pause peize Pisanio play poore PORTIA Pucke punctuation QUEENE MARGARET repetition rhyming couplet Richard Romeo soliloquy Sonne speake speech starts spelling Sunne sweet teare thee thine thinke thou art thou shalt thy selfe Tragedie University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA Warre whole speech Wife wretched