The First Folio Speeches for WomenPatrick Tucker A volume of monologues for women from the First Folio texts of Shakespeare's plays, from the famous to the less familiar. The texts are faithful to the layout, spelling and punctuation of the First Folio, providing clues for the performer to liberate meaning and emotional truth. Detailed notes on how to approach the texts complement the selections. |
From inside the book
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Page 37
... Note 18 . The colons in the speech all point towards the argument : See Note 3 . The end words of each line are particularly important : See Note 9 . The third line : " That before you ... ' is particularly long : See Note 17 . There is ...
... Note 18 . The colons in the speech all point towards the argument : See Note 3 . The end words of each line are particularly important : See Note 9 . The third line : " That before you ... ' is particularly long : See Note 17 . There is ...
Page 67
Patrick Tucker. FIRST FOLIO VERSE NOTES : This starts as a soliloquy , and then after 3 lines she addresses the others : See Note 25 . There is a good separation ' false sport ' at the beginning : See Note ... 18 . Editors change ' first life ...
Patrick Tucker. FIRST FOLIO VERSE NOTES : This starts as a soliloquy , and then after 3 lines she addresses the others : See Note 25 . There is a good separation ' false sport ' at the beginning : See Note ... 18 . Editors change ' first life ...
Page 171
... Note 18 . All through the speech the capitals clarify the argument , and importance of each image : See Note 5 . • The whole speech ends with a rhyming couplet : See Note 11 . ' Caytiffe ' = pitiful wretch . The Famous History of the ...
... Note 18 . All through the speech the capitals clarify the argument , and importance of each image : See Note 5 . • The whole speech ends with a rhyming couplet : See Note 11 . ' Caytiffe ' = pitiful wretch . The Famous History of the ...
Contents
Introduction | 15 |
Notes on the Speeches | 22 |
Alls Well that Ends Well | 34 |
Copyright | |
3 other sections not shown
Common terms and phrases
acted as questions actors alliterations and assonances Anthony argument attitude audience behold blood Brutus Cæsar CALIFORNIA/SANTA CRUZ capitalised words capitals character choose the end Cleopatra clue colons and semi-colons CRUZ The University Cymbeline doth double entendre Editors change end words eyes feare feminine ending FOLIO VERSE NOTES full stop Gentlemen of Verona give half-line hath heaven hee's heere Henrie Condell Henry the Sixt Hermia Honor Husbands IMOGEN John Heminge Juliet Julius Cæsar Lady long thoughts looke Lord Macbeth mid-line endings Midsommer Nights Dreame Mistris nice Note 18 Note 22 Note 9 Patrick Tucker pause peize Pisanio play poore PORTIA Pucke punctuation QUEENE MARGARET repetition rhyming couplet Richard Romeo soliloquy Sonne speake speech starts spelling Sunne sweet teare thee thine thinke thou art thou shalt thy selfe Tragedie University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA Warre whole speech Wife wretched