Shakespearean CriticismSandra L. Williamson Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 110
... seems desperate to simulate both marital love and divine justice precisely because his city seems to have lost track of the original models . As soon as one begins to look behind these necessities , to doubt these comforts - as Measure ...
... seems desperate to simulate both marital love and divine justice precisely because his city seems to have lost track of the original models . As soon as one begins to look behind these necessities , to doubt these comforts - as Measure ...
Page 251
... seems ( in Conrad's words , from another transitional time ) no more than a ' masquerade of something hopelessly un- known ' ; 29 and so it is that the ' reality ' of the old King Hamlet has fragmented in the fragmented minds of those ...
... seems ( in Conrad's words , from another transitional time ) no more than a ' masquerade of something hopelessly un- known ' ; 29 and so it is that the ' reality ' of the old King Hamlet has fragmented in the fragmented minds of those ...
Page 271
... seems to have included too much in II . ii : Hamlet's discussion with Rosencrantz and Guildenstern about the state of Denmark and the nature of ambition ( 11. 238-69 ) is not in Q2 ( or Q1 ) but seems to have left traces of excision ...
... seems to have included too much in II . ii : Hamlet's discussion with Rosencrantz and Guildenstern about the state of Denmark and the nature of ambition ( 11. 238-69 ) is not in Q2 ( or Q1 ) but seems to have left traces of excision ...
Contents
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Copyright | |
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