Shakespearean CriticismSandra L. Williamson Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 56
... kind of attention we associate with reading books , listening to sermons , to their daily existence ( and extract the same kind of benefit from this ) , thus ' care ' in the sense of attentiveness , waiting upon and being atten- tive to ...
... kind of attention we associate with reading books , listening to sermons , to their daily existence ( and extract the same kind of benefit from this ) , thus ' care ' in the sense of attentiveness , waiting upon and being atten- tive to ...
Page 302
... kind of divi- sion , the kind of division that in this play invariably leaves naught or nothing in the middle and raises expectations that will be " unfolded " in the course of the play . The first words belong to Kent , who will ...
... kind of divi- sion , the kind of division that in this play invariably leaves naught or nothing in the middle and raises expectations that will be " unfolded " in the course of the play . The first words belong to Kent , who will ...
Page 356
Sandra L. Williamson. The paradox here of a kind foolishness or a foolish kind- ness might suggest the classic foolish wisdom of the Chris- tian , were it not that the Steward's ' foolish ' loyalty so much better fits such an ideal than ...
Sandra L. Williamson. The paradox here of a kind foolishness or a foolish kind- ness might suggest the classic foolish wisdom of the Chris- tian , were it not that the Steward's ' foolish ' loyalty so much better fits such an ideal than ...
Contents
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Copyright | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words