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RECOLLECTIONS OF THE ARABIAN NIGHTS.

A goodly place, a goodly time,
For it was in the golden prime

Of good Haroun Alraschid.

Above thro' many a bowery turn
A walk with vary-color'd shells
Wander'd engrain'd. On either side
All round about the fragrant marge
From fluted vase, and brazen urn
In order, eastern flowers large,
Some dropping low their crimson bells
Half-closed, and others studded wide
With disks and tiars, fed the time
With odor in the golden prime

Of good Haroun Alraschid.

Far off, and where the lemon grove
In closest coverture upsprung,
The living airs of middle night
Died round the bulbul as he sung;
Not he: but something which possess'd
The darkness of the world, delight,
Life, anguish, death, immortal love,
Ceasing not, mingled, unrepress'd,
Apart from place, withholding time,
But flattering the golden prime

Of good Haroun Alraschid.

Black the garden-bowers and grots Slumber'd: the solemn palms were ranged

Above, unwoo'd of summer wind:
A sudden splendor from behind
Flush'd all the leaves with rich gold-
green,

And, flowing rapidly between
Their interspaces, counterchanged
The level lake with diamond-plots

Of dark and bright. A lovely time,
For it was in the golden prime

Of good Haroun Alraschid.
Dark-blue the deep sphere overhead,
Distinct with vivid stars inlaid,
Grew darker from that under-flame.
So, leaping lightly from the boat,
With silver anchor leit afloat,
In marvel whence that glory came
Upon me, as in sleep I sank
In cool soft turf upon the bank,
Entranced with that place and time,
So worthy of the golden prime
Of good Haroun Alraschid.

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Thence thro' the garden I was drawn-
A realm of pleasance, many a mound,
And many a shadow-checker'd lawn
Full of the city's stilly sound,
And deep myrrh-thickets blowing
round

The stately cedar, tamarisks,
Thick rosaries of scented thorn,
Tall orient shrubs, and obelisks
Graven with emblems of the time,
In honor of the golden prime

Of good Haroun Alraschid.
With dazed visions unawares
From the long alley's latticed shade
Emerged, I came upon the great
Pavilion of the Caliphat.
Right to the carven cedarn doors,
Flung inward over spangled floors,
Broad-based flights of marble stairs
Ran up with golden balustrade,
After the fashion of the time,
And humor of the golden prime

Of good Haroun Alraschid. The fourscore windows all alight As with the quintessence of flame, A million tapers flaring bright From twisted silvers look'd to shame The hollow-vaulted dark, and stream'd Upon the mooned domes aloof In inmost Bagdat, till there seem'd Hundreds of crescents on the roof Of night new-risen, that marvellous time

To celebrate the golden prime

Of good Haroun Alraschid.

Then stole I up, and trancedly
Gazed on the Persian girl alone,
Serene with argent-lidded eyes
Amorous, and lashes like to rays
Of darkness, and a brow of pearl
Tressed with redolent ebony,
In many a dark delicious curl,
Flowing beneath her rose-hued zone;
The sweetest lady of the time,
Well worthy of the golden prime
Of good Haroun Airaschid.

Six columns, three on either side,
Pure silver, underpropt a rich
Throne of the massive ore, from which

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Never grow scar,

When rooted in the garden of the mind,

Because they are the earliest of the year).

Nor was the night thy shroud. In sweet dreams softer than unbroken rest

Thou leddest by the hand thine infant Hope.

The eddying of her garments caught from thee

The light of thy great presence; and the cope

Of the half-attain'd futurity,
Tho' deep not fathomless,

Was cloven with the million stars which tremble

O'er the deep mind of dauntless infancy.

Small thought was there of life's dis

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And chiefly from the brook that loves To purl o'er matted cress and ribbed sand,

Or dimple in the dark of rushy coves,
Drawing into his narrow earthen urn,
In every elbow and turn,
The filter'd tribute of the rough wood-
land,

O! hither lead thy feet! Pour round mine ears the livelong bleat

Of the thick-fleeced sheep from wattled folds,

Upon the ridged wolds,

When the first matin-song hath waken'd loud

Over the dark dewy earth forlorn,
What time the amber morn

Forth gushes from beneath a low-hung cloud.

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No matter what the sketch might be; Whether the high field on the bushless Pike,

Or even a sand-built ridge

Of heaped hills that mound the sea,
Overblown with murmurs harsh,
Or even a lowly cottage whence we see
Stretch'd wide and wild the waste
enormous marsh,

Where from the frequent bridge,
Like emblems of infinity,

The trenched waters run from sky to sky;

Or a garden bower'd close

With plaited alleys of the trailing rose, Long alleys falling down to twilight grots,

Or opening upon level plots

Of crowned lilies, standing near
Purple-spiked lavender:

Whither in after life retired
From brawling storms,

From weary wind,

With youthful fancy re-inspired, We may hold converse with all forms

Of the many-sided mind,

And those whom passion hath not blinded,

Subtle-thoughted, myriad-minded.

My friend, with you to live alone,
Were how much better than to own
A crown, a sceptre, and a throne!

O strengthen me, enlighten me!
I faint in this obscurity,
Thou dewy dawn of memory.

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