Nothing Remains the Same: Rereading and RememberingA New York Times Notable Book and a San Francisco Chronicle Book of the Year: A look at the pleasures and surprises of rereading. Compared with reading, the act of rereading is far more personal—it involves a complex interaction of our past selves, our present selves, and literature. With candor and humor, this “inspired intellectual romp, part memoir, part criticism” takes us on a guided tour of the author’s own return to books she once knew—from the plays of Shakespeare to twentieth-century novels by Kingsley Amis and Ian McEwan, from the childhood favorite I Capture the Castle to classic novels such as Anna Karenina and Huckleberry Finn, from nonfiction by Henry Adams to poetry by Wordsworth—as she reflects on how the passage of time and the experience of aging has affected her perceptions of them (Lawrence Weschler). A cultural critic and the acclaimed author of Why I Read, Wendy Lesser conveys an infectious love of reading and inspires us all to take another look at the books we’ve read to find the unexpected treasures they might offer. “Delightful.” —Diane Johnson, author of Le Divorce “Anyone who has ever approached a once favorite book later in life . . . will find in this memoir moments of bittersweet recognition.” —The New York Times Book Review “Reflect[s] deeply and candidly on how a reader’s life experiences alter her perceptions of literature . . . [Lesser] has truly fascinating and original things to say about a compelling assortment of writers, including George Orwell, George Eliot, D. H. Lawrence, Dostoyevsky, and Shakespeare.” —Booklist |
From inside the book
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... completely my own. I also want to thank my sister, Janna Lesser, and my husband, Richard Rizzo, who were my companions in much of the reading I describe here—she mainly during my early decades, he mainly during the more recent ones ...
... completely my own. I also want to thank my sister, Janna Lesser, and my husband, Richard Rizzo, who were my companions in much of the reading I describe here—she mainly during my early decades, he mainly during the more recent ones ...
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... completely unconnected to Don Quixote's delusions. They cannot be blamed on books of chivalry. On the contrary, they are routine, accepted aspects of daily life. Still, Cervantes is able to feel and convey their shockingness. These are ...
... completely unconnected to Don Quixote's delusions. They cannot be blamed on books of chivalry. On the contrary, they are routine, accepted aspects of daily life. Still, Cervantes is able to feel and convey their shockingness. These are ...
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... completely forgotten until I started to reread—is that it takes the form of Cassandra's journal. Usually I don't like epistolary or otherwise in medias res works of fiction. The structure always seems strained and at the same time ...
... completely forgotten until I started to reread—is that it takes the form of Cassandra's journal. Usually I don't like epistolary or otherwise in medias res works of fiction. The structure always seems strained and at the same time ...
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... completely. The opposite is true of I Capture the Castle. I loved the book at thirteen for reasons that couldn't possibly have been apparent to me then, and now, looking back, I see exactly what they were. This is not because I have ...
... completely. The opposite is true of I Capture the Castle. I loved the book at thirteen for reasons that couldn't possibly have been apparent to me then, and now, looking back, I see exactly what they were. This is not because I have ...
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... completely under conscious human control. It's true that here, as elsewhere, he has tried to break out of the straitjacket, loosening the metrical pattern so that the first line of the quatrain is noticeably shorter than the others ...
... completely under conscious human control. It's true that here, as elsewhere, he has tried to break out of the straitjacket, loosening the metrical pattern so that the first line of the quatrain is noticeably shorter than the others ...
Contents
An Education | |
A Young Womans Mistakes | |
All Kinds of Madness | |
A Small Masterpiece | |
The Tree of Knowledge | |
McEwan inTime | |
The Strange Case of Huck and Jim | |
A Literary Career | |
Hitchcocks Vertigo | |
Back Matter | |
Back Cover | |
Spine | |
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Common terms and phrases
actors actually Adams's Aglaya Anna Anna Karenina become believe called Capture the Castle Casaubon Cervantes chapter character child childhood comes criticism Don Quixote Dorothea Dostoyevsky dream essay exactly experience fact feel felt fiction fool garden George Eliot George Orwell Henry Adams Henry James Hermione Howells Huck Huckleberry Finn humor husband idea idiot imagine instance Jenny Diski kind knew Lawrence Leontes literary live look Lucky Jim Madeleine McEwan mean memory ment Middlemarch Milton mother movie Myshkin narrator Nastasya never novel once Orwell Orwell's Paradise Lost perhaps person play pleasure plot poem prince Prospero readers remember rereading Road to Wigan Rocking-Horse Rocking-Horse Winner Sancho Panza scene Scotty seems sense Shakespeare sort story strange tell Tempest things thought tion true turn Vertigo WENDY LESSER Wigan Pier woman word Wordsworth writing