Shakespeare as Literary DramatistIn this groundbreaking study, Lukas Erne argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. The usual distinction that has been set up between Ben Jonson on the one hand, carefully preparing his manuscripts for publication, and Shakespeare the man of the theatre, writing for his actors and audience, indifferent to his plays as literature, is questioned in this book. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these 'literary' texts would have been abridged for the stage because they were too long for performance. The variant early texts of Romeo and Juliet, Henry V, and Hamlet are shown to reveal important insights into the different media for which Shakespeare designed his plays. |
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Page iv
... printing 2005 Printed in the United Kingdom at the University Press , Cambridge Typeface Adobe Garamond 11 / 12.5 pt System LTEX 28 [ TB ] A catalogue record for this book is available from the British Library ISBN 0 521 82255 6 ...
... printing 2005 Printed in the United Kingdom at the University Press , Cambridge Typeface Adobe Garamond 11 / 12.5 pt System LTEX 28 [ TB ] A catalogue record for this book is available from the British Library ISBN 0 521 82255 6 ...
Page 6
... printing press in England , print had become widespread . Elizabethan England was in many ways “ a printing age " in ... printed 1599 ) in Idea's Mirror . I quote from The Works of Michael Drayton , ed . J. William Hebel , corr . edn , 5 ...
... printing press in England , print had become widespread . Elizabethan England was in many ways “ a printing age " in ... printed 1599 ) in Idea's Mirror . I quote from The Works of Michael Drayton , ed . J. William Hebel , corr . edn , 5 ...
Page 7
... printing press had made the creation and perpetuation of literary fame a distinct possibility . It is one of the great ... Printed Titles for Great Britain and Dependencies from the Beginnings of Print in England to the year 1800 , " by ...
... printing press had made the creation and perpetuation of literary fame a distinct possibility . It is one of the great ... Printed Titles for Great Britain and Dependencies from the Beginnings of Print in England to the year 1800 , " by ...
Page 8
... printing press had spread by the late sixteenth and early seventeenth centuries , modern notions of individuality ... printed in W. W. Greg , Companion to Arber ( Oxford : Clarendon Press , 1967 ) , 321 . with the Stationers ' Company ...
... printing press had spread by the late sixteenth and early seventeenth centuries , modern notions of individuality ... printed in W. W. Greg , Companion to Arber ( Oxford : Clarendon Press , 1967 ) , 321 . with the Stationers ' Company ...
Page 10
... printed playbooks that appeared in no fewer than six editions . Shakespeare's attitude toward the emergent printed drama , the place his plays occupy within it , and the way in which it may have affected the composition of his plays are ...
... printed playbooks that appeared in no fewer than six editions . Shakespeare's attitude toward the emergent printed drama , the place his plays occupy within it , and the way in which it may have affected the composition of his plays are ...
Contents
The legitimation of printed playbooks in Shakespeares time | 31 |
The making of Shakespeare | 56 |
Shakespeare and the publication of his plays I the late sixteenth century | 78 |
Shakespeare and the publication of his plays II the early seventeenth century | 101 |
The players alleged opposition to print | 115 |
TEXTS | 129 |
Why size matters the two hours traffic of our stage and the length of Shakespeares plays | 131 |
Editorial policy and the length of Shakespeares plays | 174 |
Bad quartos and their origins Romeo and Juliet Henry V and Hamlet | 192 |
Theatricality literariness and the texts of Romeo and Juliet Henry V and Hamlet | 220 |
The plays of Shakespeare and his contemporaries in print 15841623 | 245 |
Heminge and Condells Stolne and surreptitious copies and the Pavier quartos | 255 |
Shakespeare and the circulation of dramatic manuscripts | 259 |
262 | |
278 | |
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Common terms and phrases
abridgement acted actors Andrew Gurr anonymous appeared argued argument Beaumont and Fletcher Bibliography Blayney Cambridge University Press chapter Clarendon Press comedies copy dramatist Edward England evidence extant Folio text Greg Gurr Hamlet hath haue Heminge and Condell Henry Heywood Ibid John Jonson King Lear King's King's Men length Library lines literary London long texts Lord Chamberlain's Lord Chamberlain's Men Love's Labour's Lost manuscript playbooks memorial reconstruction Merry Wives modern omitted Oxford University Press passages Pavier play's players playhouse playtexts playwrights poems printed playbooks printer private transcripts Publication of Playbooks quarto of Hamlet quarto of Romeo quote readers revision Richard Richard III Robert Romeo and Juliet scene scholars script second quarto seems seventeenth century Shakespeare wrote Shakespeare's plays Shrew sixteenth Sonnets Spanish Tragedy Stationers Studies suggests Tamburlaine Textual Companion theater Thomas title pages Troilus and Cressida W. W. Greg William Shakespeare written
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