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f Adieu, O, fatherland! I see

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Your white cliffs on the horizon's rim,
And, though to freer skies I flee,

My heart swells, and my eyes are dim!
As knows the dove the task you give her,
When loosed upon a foreign shore;
As spreads the rain-drop in the river
In which it may have flow'd before-
To England, over vale and mountain,

My fancy flew from climes more fair,
My blood, that knew its parent fountain,
Ran warm and fast in England's air.

My mother! in thy prayer to-night

There come new words and warmer tears!
On long, long darkness breaks the light,

Comes home the loved, the lost for years!
Sleep safe, O wave-worn mariner,

Fear not, to-night, or storm or sea!
The ear of Heaven bends low to her!

He comes to shore who sails with me!
The wind-toss'd spider needs no token
How stands the tree when lightnings blaze:
And, by a thread from heaven unbroken,
I know my mother lives and prays!

Dear mother! when our lips can speak,
When first our tears will let us see,
When I can gaze upon thy cheek,

And thou, with thy dear eyes, on me→→ 'T will be a pastime little sad

To trace what weight Time's heavy fingers

Upon each other's forms have had;

For all may flee, so feeling lingers!
But there's a change, beloved mother,
To stir far deeper thoughts of thine;
I come-but with me comes another,

To share the heart once only mine!
Thou, on whose thoughts, when sad and lonely,
One star arose in memory's heaven;
Thou, who hast watch'd one treasure only,
Water'd one flower with tears at even:
Room in thy heart! The hearth she left
Is darken'd to make light to ours!
There are bright flowers of care bereft,

And hearts that languish more than flowers; She was their light, their very air-- [prayer! Room, mother, in thy heart! place for her in thy

SPRING.

THE Spring is here, the delicate-footed May,
With its slight fingers full of leaves and flowers;
And with it comes a thirst to be away,
Wasting in wood-paths its voluptuous hours;
A feeling that is like a sense of wings,
Restless to soar above these perishing things.

We
pass out from the city's feverish hum,
To find refreshment in the silent woods;
And nature, that is beautiful and dutib,

Like a cool sleep upon the pulses broods;
Yet, even there, a restless thought will steal,
To teach the indolent heart it still must feel.

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I KNOW not if the sunshine waste,
The world is dark since thou art gone!
The hours are, O! so leaden-paced!

The birds sing, and the stars float on,
But sing not well, and look not fair;
A weight is in the summer air,

And sadness in the sight of flowers;
And if I go where others smile,

Their love but makes me think of ours,
And Heaven gets my heart the while.
Like one upon a desert isle,

I languish of the dreary hours;

I never thought a life could be

So flung upon one hope, as mine, dear love, on thee!

I sit and watch the summer sky:

There comes a cloud through heaven alone;
A thousand stars are shining nigh,

It feels no light, but darkles on!
Yet now it nears the lovelier moon,
And, flashing through its fringe of snow,
There steals a rosier dye, and soon

Its bosom is one fiery glow!
The queen of life within it lies,

Yet mark how lovers meet to part: The cloud already onward flies,

And shadows sink into its heart; And (dost thou see them where thou art?) Fade fast, fade all those glorious dyes! Its light, like mine, is seen no more, And, like my own, its heart seems darker than

before.

Where press, this hour, those fairy feet?
Where look, this hour, those eyes of blue?
What music in thine ear is sweet?

What odour breathes thy lattice through?
What word is on thy lip? What tone,
What look, replying to thine own?
Thy steps along the Danube stray,

Alas, it seeks an orient sea!
Thou wouldst not seem so far away,
Flow'd but its waters back to me!
I bless the slowly-coming moon,
Because its eye look'd late in thine;

I envy the west wind of June,

Whose wings will bear it up the Rhine; The flower I press upon my brow

Were sweeter if its like perfumed thy chamber now.

N. P. WILLIS.

HAGAR IN THE WILDERNESS.

THE morning broke. Light stole upon the clouds
With a strange beauty. Earth received again
Its garment of a thousand dyes; and leaves,
And delicate blossoms, and the painted flowers,
And every thing that bendeth to the dew,
And stirreth with the daylight, lifted up
Its beauty to the breath of that sweet morn.

All things are dark to sorrow; and the light,
And loveliness, and fragrant air, were sad
To the dejected HAGAR. The moist earth
Was pouring odours from its spicy pores,
And the young birds were singing, as if life
Were a new thing to them; but, O! it came
Upon her heart like discord, and she felt
How cruelly it tries a broken heart,
To see a mirth in any thing it loves.

She stood at ABRAHAM's tent Her lips were press'd
Till the blood started; and the wandering veins
Of her transparent forehead were swell'd out,
As if her pride would burst them. Her dark eye
Was clear and tearless, and the light of heaven,
Which made its language legible, shot back
From her long lashes, as it had been flame.
Her noble boy stood by her, with his hand
Clasp'd in her own, and his round, delicate feet,
Scarce train'd to balance on the tented floor,
Sandall'd for journeying. He had look'd up
Into his mother's face, until he caught

The spirit there, and his young heart was swelling

Beneath his dimpled bosom, and his form
Straighten'd up proudly in his tiny wrath,
As if his light proportions would have swell'd,
Had they but match'd his spirit, to the man.
Why bends the patriarch as he cometh now
Upon his staff so wearily? His beard
Is low upon his breast, and on his high brow,
So written with the converse of his GoD,
Beareth the swollen vein of agony.
His lip is quivering, and his wonted step
Of vigour is not there; and, though the morn
Is passing fair and beautiful, he breathes
Its freshness as it were a pestilence.
O, man may bear with suffering: his heart
Is a strong thing, and godlike in the grasp
Of pain, that wrings mortality; but tear
One chord affection clings to, part one tie
That binds him to a woman's delicate love,
And his great spirit yieldeth like a reed.

He gave to her the water and the bread,
But spoke no word, and trusted not himself
To look upon her face, but laid his hand
In silent blessing on the fair-hair'd boy,
And left her to her lot of loneliness.

Should HAGAR weep? May slighted woman
And, as a vine the oak hath shaken off,
Bend lightly to her leaning trust again?
O, no! by all her loveliness, by all
That makes life poetry and beauty, no!
Make her a slave; steal from her rosy cheek
By needless jealousies; let the last star
Leave her a watcher by your couch of pain;
Wrong her by petulance, suspicion, all
That makes her cup a bitterness,—yet give

turn,

One evidence of love, and carth has not
An emblem of devotedness like hers.
But, O! estrange her once--it boots not how-
By wrong or silence, any thing that tells
A change has come upon your tenderness--
And there is not a high thing out of heaven
Her pride o'ermastereth not.

She went her way with a strong step and slow
Her press'd lip arch'd, and her clear eye undinm'd
As it had been a diamond, and her form
Borne proudly up, as if her heart breathed through
Her child kept on in silence, though she press
His hand till it was pain'd: for he had caught,
As I have said, her spirit, and the seed
Of a stern nation had been breathed upon.

The morning pass'd, and Asia's sun rode up
In the clear heaven, and every beam was heat.
The cattle of the hills were in the shade,
And the bright plumage of the Orient lay
On beating bosoms in her spicy trees.
It was an hour of rest; but HAGAR found
No shelter in the wilderness, and on
She kept her weary way, until the boy
Hung down his head, and open'd his parch'd lips
For water; but she could not give it him.
She laid him down beneath the sultry sky,—
For it was better than the close, hot breath
Of the thick pines,--and tried to comfort him;
But he was sore athirst, and his blue eyes
Why Gon denied him water in the wild.
Were dim and bloodshot, and he could not know

She sat a little longer, and he
grew
Ghastly and faint, as if he would have died.
It was too much for her. She lifted him,
And bore him further on, and laid his head
Beneath the shadow of a desert shrub;
And, shrouding up her face, she went away,
And sat to watch, where he could see her not,
Till he should die; and, watching him, she mourn'd:
"Gon stay thee in thine agony, my boy!
I cannot see thee die; I cannot brook
Upon thy brow to look,

And see death settle on my cradle-joy.
How have I drunk the light of thy blue eye!
And could I see thee die?

"I did not dream of this when thou wert straying,
Like an unbound gazelle, among the flowers;

Or wearing rosy hours,
By the rich gush of water-sources playing,
Then sinking weary to thy smiling sleep,
So beautiful and deep.

"O, no! and when I watch'd by thee the while,
And saw thy bright lip curling in thy dream,
And thought of the dark stream
In my own land of Egypt, the far Nile,
How pray'd I that my father's land might be
An heritage for thee!

"And now the grave for its cold breast hath won thee,
And thy white, delicate limbs the earth will press;

And, O! my last caress
Must feel thee cold, for a chill hand is on thee.
How can I leave my boy, so pillow'd there
Upon his clustering hair!"

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Room, gentle flowers! my child would pass to heaven!
Ye look'd not for her yet with your soft eyes,
O, watchful ushers at Death's narrow door!
But, lo! while you delay to let her forth,
Angels, beyond, stay for her! One long kiss
From lips all pale with agony, and tears,
Wrung after anguish had dried up with fire
The eyes that wept them, were the cup of life
Held as a welcome to her. Weep, O, mother!
But not that from this cup of bitterness
A cherub of the sky has turn'd away.
One look upon her face ere she depart!
My daughter! it is soon to let thee go!

My daughter! with thy birth has gush'd a spring
I knew not of: filling my heart with tears,
And turning with strange tenderness to thee!
A love-O, GOD, it seems so-which must flow
Far as thou fleest, and 'twixt Heaven and me,
Henceforward, be a sweet and yearning chain,
Drawing me after thee! And so farewell!
'Tis a harsh world in which affection knows
No place to treasure up its loved and lost
But the lone grave! Thou, who so late was sleeping
Warm in the close fold of a mother's heart,
Scarce from her breast a single pulse receiving,
But it was sent thee with some tender thought-
How can I leave thee here! Alas, for man!
The herb in its humility may fall,
And waste into the bright and genial air,
While we, by hands that minister'd in life
Nothing but love to us, are thrust away,
The earth thrown in upon our just cold bosoms,
And the warm sunshine trodden out forever!
Yet have I chosen for thy grave, my child,
A bank where I have lain in summer hours,
And thought how little it would seem like death
To sleep amid such loveliness. The brook
Tripping with laughter down the rocky steps
That lead us to thy bed, would still trip on,
Breaking the dread hush of the mourners gone;
The birds are never silent that build here,
Trying to sing down the more vocal waters;
The slope is beautiful with moss and flowers;
And, far below, seen under arching leaves,
Glitters the warm sun on the village spire,
Pointing the living after thee. And this
Seems like a comfort, and, replacing now
The flowers that have made room for thee, I go
To whisper the same peace to her who lies
Robb'd of her child, and lonely. "T is the work
Of many a dark hour, and of many a prayer,
To bring the heart back from an infant gone!
Hope must give o'er, and busy fancy blot
Its images from all the silent rooms,

And every sight and sound familiar to her Undo its sweetest link; and so, at last,

The fountain that, once loosed, must flow forever,
Will hide and waste in silence. When the smile
Steals to her pallid lip again, and spring
Wakens its buds above thee, we will come,
And, standing by thy music-haunted grave,
Look on each other cheerfully, and say,
A child that we have loved is gone to heaven,
And by this gate of flowers she pass'd away!

THE BELFRY PIGEON.

On the cross-beam under the Old South bell
The nest of a pigeon is builded well.
In summer and winter that bird is there,
Out and in with the morning air;

I love to see him track the street,
With his wary eye and active feet;
And I often watch him as he springs,
Circling the steeple with easy wings,
Till across the dial his shade has pass'd,
And the belfry edge is gain'd at last.
"T is a bird I love, with its brooding note,
And the trembling throb in its mottled throat;
There's a human look in its swelling breast,
And the gentle curve of its lowly crest;
And I often stop with the fear I feel,
He runs so close to the rapid wheel.

Whatever is rung on that noisy bell-
Chime of the hour, or funeral knell-
The dove in the belfry must hear it well.
When the tongue swings out to the midnight moon,
When the sexton cheerly rings for noon,
When the clock strikes clear at morning light,
When the child is waked with "nine at night,"
When the chimes play soft in the Sabbath air,
Filling the spirit with tones of prayer,-
Whatever tale in the bell is heard,
He broods on his folded feet unstirr'd,
Or, rising half in his rounded nest,
He takes the time to smoothe his breast,
Then drops again, with filmed eyes,
And sleeps as the last vibration dies.

Sweet bird! I would that I could be
A hermit in the crowd like thee!
With wings to fly to wood and glen!
Thy lot, like mine, is cast with men;
And daily, with unwilling feet,

I tread, like thee, the crowded street;
But, unlike me, when day is o'er,
Thou canst dismiss the world, and soar,
Or, at a half-felt wish for rest,
Canst smoothe thy feathers on thy breast,
And drop, forgetful, to thy nest.

I would that, in such wings of gold,
I could my weary heart upfold;

I would I could look down unmoved,
(Unloving as I am unloved,)

And, while the world throngs on beneath,
Smoothe down my cares and calmly breathe;
And never sad with others' sadness,
And never glad with others' gladness,
Listen, unstirr'd, to knell or chime,
And, lapp'd in quiet, bide my time.

APRIL.

"A violet by a mossy stone, Half-hidden from the eye, Fair as a star, when only one

Is shining in the sky."

WORDSWORTH.

N. P. WILLIS.

I HAVE found violets. April hath come on,
And the cool winds feel softer, and the rain
Falls in the beaded drops of summer-time.
You may hear birds at morning, and at eve
The tame dove lingers till the twilight falls,
Cooing upon the eaves, and drawing in
His beautiful, bright neck; and, from the hills,
A murmur like the hoarseness of the sea,
Tells the release of waters, and the earth
Sends up a pleasant smell, and the dry leaves
Are lifted by the grass; and so I know
That Nature, with her delicate ear, hath heard
The dropping of the velvet foot of Spring.
Take of my violets! I found them where
The liquid south stole o'er them, on a bank
That lean'd to running water. There's to me
A daintiness about these early flowers,
That touches me like poetry. They blow
With such a simple loveliness among
The common herbs of pasture, and breathe out
Their lives so unobtrusively, like hearts
Whose beatings are too gentle for the world.
I love to go in the capricious days
Of April and hunt violets, when the rain
Is in the blue cups trembling, and they nod
So gracefully to the kisses of the wind.
It may be deem'd too idle, but the young
Read nature like the manuscript of Heaven,
And call the flowers its poetry. Go out!
Ye spirits of habitual unrest,

And read it, when the "fever of the world"
Hath made your hearts impatient, and, if life
Hath yet one spring unpoison'd, it will be
Like a beguiling music to its flow,
And you will no more wonder that I love
To hunt for violets in the April-time.

THE ANNOYER.

LOVE knoweth every form of air,
And every shape of earth,
And comes, unbidden, everywhere,

Like thought's mysterious birth.
The moonlit sea and the sunset sky

Are written with Love's words, And you hear his voice unceasingly, Like song, in the time of birds.

He peeps into the warrior's heart

From the tip of a stooping plume,

And the serried spears, and the many men, May not deny him room.

He'll come to his tent in the weary night,

And be busy in his dream,

And he'll float to his eye in morning light, Like a fay on a silver beam.

He hears the sound of the hunter's gun,
And rides on the echo back,
And sighs in his ear like a stirring leaf,

And flits in his woodland track.
The shade of the wood, and the sheen of the river.
The cloud, and the open sky,-

He will haunt them all with his subtle quiver,
Like the light of your very eye.

The fisher hangs over the leaning boat,
And ponders the silver sea,
For Love is under the surface hid,

And a spell of thought has he;
He heaves the wave like a bosom sweet,

And speaks in the ripple low,
Till the bait is gone from the crafty line,

And the hook hangs bare below.

He blurs the print of the scholar's book,

And intrudes in the maiden's prayer, And profanes the cell of the holy man In the shape of a lady fair. In the darkest night, and the bright daylight, In earth, and sea, and sky, In every home of human thought Will Love be lurking nigh.

TO A FACE BELOVED.
THE music of the waken'd lyre

Dies not upon the quivering strings,
Nor burns alone the minstrel's fire

Upon the lip that trembling sings;
Nor shines the moon in heaven unseen,
Nor shuts the flower its fragrant cells,
Nor sleeps the fountain's wealth, I ween,
Forever in its sparry wells;
The spells of the enchanter lie
Not on his own lone heart, his own rapt ear and

I look upon a face as fair

As ever made a lip of heaven
Falter amid its music-prayer!

[eye

The first-lit star of summer even
Springs not so softly on the eye,
Nor grows, with watching, half so bright,
Nor, mid its sisters of the sky,

So seems of heaven the dearest light;
Men murmur where that face is seen-
My youth's angelic dreani was of that look and mien.

Yet, though we deem the stars are blest,
And envy, in our grief, the flower
That bears but sweetness in its breast,
And fear'd the enchanter for his power,
And love the minstrel for his spell
He winds out of his lyre so well;
The stars are almoners of light,

The lyrist of melodious air,
The fountain of its waters bright,
And every thing most sweet and fair
Of that by which it charms the ear,
The eye of him that passes near;
A lamp is lit in woman's eye
That souls, else lost on earth, remember angels by

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from the

THE author of "Dreams and Reveries," « Nor- | the first resident minister from this country in therman Leslie," and "The Countess Ida," was born Switzerland. An account of his essays and non the city of New York on the tenth of Febru- vels may be found in 66 The Prose Writers of the scary, 1807. His father was a lawyer of unusual America." In poetry he has published, besides professional and literary abilities, which were a considerable number of fugitive pieces, "Ulric, honorably displayed in an earnest and persistent or the Voices," of which nineteen cantos appearadvocacy of the abolition of imprisonment for ed in one volume in 1851, and an additional candebt, in numerous contributions to the public jour- to in "The Knickerbocker Gallery," in 1855. nals under the signature of "Howard." After The scene of the poem is laid in Germany during his death, in 1825, Mr. FAY continued the study the great reformation in the fifteenth century. s of the law with Mr. SYLVANUS MILLER, and was The hero, Ulric Von Rosenberg, a young rittmasadmitted to the bar in 1829. He acquired his ter, or captain of cavalry, is converted to the docearliest distinction as a writer by completing a setrines of Luther, and makes a public profession ries of papers entitled "The Little Genius," com- of his faith, after which he is exposed to extraormenced by his father, in the "New York Mirror," dinary temptations, to struggles between conof which he became one of the editors. In 1833 science and inclination, which Mr. FAY describes he was married, and soon after went to Europe, as "supernatural solicitings," and "voices," from where he has nearly ever since resided. He was heaven and hell. The work has not been very appointed secretary of the United States legation popular. Mr. FAY is more successful in prose at the court of Berlin in 1837, and in 1853 became fiction.

MY NATIVE LAND.

COLUMBIA, was thy continent stretch'd wild,
In later ages, the huge seas above?
And art thou Nature's youngest, fairest child,
Most favoured by thy gentle mother's love?
Where now we stand, did ocean monsters rove,
Tumbling uncouth, in those dim, vanished years,
When through the Red Sea PHARAOH's thousands
drove,

When struggling JOSEPH dropp'd fraternal tears, When GoD came down from heaven, and mortal men were seers?

Or, have thy forests waved, thy rivers run,
Elysian solitudes, untrod by man,
Silent and lonely, since, around the sun,
Her ever-wheeling circle earth began?
Thy unseen flowers did here the breezes fan,
With wasted perfume ever on them flung?
And o'er thy showers neglected rainbows span,
When ALEXANDER fought, when HOMER sung,
And the old populous world with thundering battle
rung?

Yet, what to me, or when, or how thy birth,-
No musty tomes are here to tell of thee;
None know, if cast when nature first the earth
Shaped round, and clothed with grass, and flower,

and tree,

Or whether since, by changes, silently,
Of sand, and shell, and wave, thy wonders grew;
Or if, before man's little memory,

Some shock stupendous rent the globe in two,
And thee, a fragment, far in western oceans threw.

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Who views thy enchanted windings ever deems
Thy banks, of mortal shores the loveliest!
Hail to thy shelving slopes, with verdure dress'd,
Bright break thy waves the varied beach upon;
Soft rise thy hills, by amorous clouds caress'd;
Clear flow thy waters, laughing in the sun-
Would through such peaceful scenes, my life might
gently run!

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