EXCELSIOR. HENRY W. LONGFELLOW. THE shades of night were falling fast, His brow was sad; his eye beneath The accents of that unknown tongue, In happy homes he saw the light Of household fires gleam warm and bright: Above, the spectral glaciers shone, And from his lips escaped a groan, Excelsior! Try not the pass!" the old man said; "O stay," the maiden said, "and rest "Beware the pine tree's wither'd branch! Beware the awful avalanche !" This was the peasant's last good-night; At break of day, as heavenward A voice cried through the startled air, A traveller, by the faithful hound, There, in the twilight cold and gray, THE RAINY DAY. THE day is cold, and dark, and dreary; And the day is dark and dreary. Be still, sad heart, and cease repining; Behind the clouds is the sun still shining; Thy fate is the common fate of all: Into each life some rain must fall, Some days must be dark and dreary. MAIDENHOOD. MAIDEN! with the meek, brown eyes, On the brooklet's swift advance, O, thou child of many prayers! Like the swell of some sweet tune, Bear a lily in thy hand; Bear, through sorrow, wrong, and ruth. O, that dew, like balm, shall steal GEORGE LUNT. [Born about 1807.] MR. LUNT is a native of the pleasant village DENE of Newburyport, near Boston, from which, for a long period, his ancestors and relatives "followed the sea." He was educated at Cambridge, and soon after leaving the university entered as a student the law-office of the present Chief Justice of Massachusetts. From the time of his admission to the bar he has pursued the practice of his the profession in Newburyport. He has for several years represented the people of that town in the State Senate and House of Assembly, and has held various other honourable offices. When he was about nineteen years of age, he AUTUMN MUSINGS. COME thou with me! If thou hast worn away For this accursed slave that makes men slaves; wrote "The Grave of Byron," a poem in the Spenserian measure, which has considerable merit; and, in 1839, appeared a collection of his later productions, of which the largest is a metrical essay entitled "Life," in which he has attempted to show, by reference to the condition of society in different ages, that Christianity is necessary to the development of man's moral nature. More recently he has published "The Age of Gold and other Poems;" "Lyric Poems, Sonnets, and Miscellanies;" and two or three other small volumes, besides "Julia," a satire, and a novel in prose, entitled "Eastford," under the pseudonym of WESLEY BROOKE. The first soft breeze of spring shall see them fresh We have neglected nature! Wearing out Chaste converse with the fountains and the winds! So should we elevate our souls; so be And, sinking on the blue hills' breast, the sun From their broad branches drop the wither'd leaves, To look on fairer things, the loveliness Drop, one by one, without a single breath, Of earth's most lovely daughters, whose glad forms GEORGE LUNT. But lo! the harvest moon! She climbs as fair Lo, Zebulon comes; he remembers the day Among the cluster'd jewels of the sky, As, mid the rosy bowers of paradise, Her soft light, trembling upon leaf and flower, And the ripe nuts which his own hand shall pluck. JEWISH BATTLE-SONG. Ho! Princes of Jacob! the strength and the stay On the spoiler go down in the might of the Lord! She lay sleeping in beauty, more fair than the moon, With her children about her, like stars in night's noon, When they came to her covert, these spoilers of Rome, And are trampling her children and rifling her home: Their legions and cohorts are fair to behold, Will they laugh at the hind they have struck to When the bold stag of Naphtali bursts on their mirth? Will they dare to deride and insult, when in wrath And white as the crest of the old hoary sea; ye have slain; But, dark mountain-archer! your sinews to-day When they perill'd their lives to the death in the fray Like Sisera's rolls the foe's chariot-wheel, "PASS ON, RELENTLESS WORLD." Down Time's unquiet current hurl'd, Tumultuous and unstable world! In vain to stay thy course of wrath! The loves of youth, the cares of age; Writes hopes that end in mockery; Even as a shade, Oblivion treads, Who sport upon thy flaunting blaze, Press onward to eternity; To that deep-voiced but shoreless sea. I bow not at thy slavish throne; Affections fixed above thy sway, HAMPTON BEACH. AGAIN upon the sounding shore, Could view with me thy swelling might, Turn coldly from the glorious sight, And seek the idle world, to hate and fear and fight. Thou art the same, eternal sea! The earth hath many shapes and forms, Of hill and valley, flower and tree; Fields that the fervid noontide warms, Or winter's rugged grasp deforms, Or bright with autumn's golden store; Thou coverest up thy face with storms, Or smilest serene,-but still thy roar And dashing foam go up to vex the sea-beat shore. I see thy heaving waters roll, I hear thy stern, uplifted voice, And trumpet-like upon my soul Falls the deep music of that noise Wherewith thou dost thyself rejoice; The ships, that on thy bosom play, Thou dashest them about like toys, And stranded navies are thy prey, Strown on thy rock-bound coast, torn by the whirling spray. As summer twilight, soft and calm, Or when in stormy grandeur drest, Peals up to heaven the eternal psalm, That swells within thy boundless breast; Thy curling waters have no rest; But day and night the ceaseless throng Of waves that wait thy high behest, Speak out in utterance deep and strong, And loud the craggy beach howls back their savage song. Terrible art thou in thy wrath,— Terrible in thine hour of glee, When the strong winds, upon their path, Bound o'er thy breast tumultuously, And shout their chorus loud and free To the sad sea-bird's mournful wail, As, heaving with the heaving sea, The broken mast and shatter'd sail Tell of thy cruel strength the lamentable tale. Ay, 'tis indeed a glorious sight То gaze upon thine ample face; I sit above the flashing spray, This is thy lesson, mighty sea! But where thy many voices sing Their endless song, the deep, deep tone Calls back his spirit's airy wing, He shrinks into himself, where God alone is king! PILGRIM SONG. OVER the mountain wave, see where they come; Storm-cloud and wintry wind welcome them home; Yet, where the sounding gale howls to the sea, There their song peals along, deep-toned and free: Pilgrims and wanderers, hither we come ; Where the free dare to be-this is our home!" England hath sunny dales, dearly they bloom; Scotia hath heather-hills, sweet their perfume: Yet through the wilderness cheerful we stray, Native land, native land-home far away! "Pilgrims and wanderers, hither we come; Where the free dare to be-this is our home!" Dim grew the forest-path: onward they trod; Firm beat their noble hearts, trusting in GoD! Gray men and blooming maids, high rose their song; Hear it sweep, clear and deep, ever along : THE LYRE AND SWORD. THE freeman's glittering sword be blest,- This stirs the heart like living fire: But when his fingers sweep the chords, Like mountain-eagles to their prey! The freeman's heart and nerves his hand; For the bright soil that gave him birth, The home of all he loves on earth, For this, when Freedom's trumpet calls, He waves on high his sword of fire,For this, amidst his country's halls Forever strikes the freeman's lyre! His burning heart he may not lend To serve a doting despot's sway,— A suppliant knee he will not bend, Before these things of "brass and clay :" When wrong and ruin call to war, He knows the summons from afar; On high his glittering sword he waves, And myriads feel the freeman's fire, While he, around their fathers' graves, Strikes to old strains the freeman's lyre! ROBERT H. MESSINGER. [Born about 1807.] OUR cleverest writers of verse, in many cases, have never collected the waifs they have given to magazines and newspapers, and some of the best fugitive pieces thus published have a periodical currency without the endorsement of a name, or their authors, having written for the love of writing, rather than for reputation, have permitted whoever would to run away with the literary honors to which they were entitled. Mr. MESSINGER is an example of this class. ROBERT HINCKLEY MESSINGER is a native of Boston, and comes from an old puritan and pilgrim stock, being a descendant in the seventh generation from HENRY MESSINGER, who was made a freeman of Boston in the year 1630, and a great grandson of the Reverend HENRY MESSINGER, who was graduated at Harvard College in 1719, and elected the first minister of Wrentham, Massachusetts, in 1720. With a view to his education at Cambridge he was placed at the Boston Latin School, then under the administration of BENJAMIN A. GOULD; but after three years' attendance there, preferring met cantile pursuits, he left for the city of New York, from his pen were mostly written at about the age} where he resided many years. The poems we have of twenty to twenty-five years, and appeared in the New York "American." The lines, "Give me the Old," suggested by a famous saying of paper for the twenty-sixth of April, 1838, and were ALPHONSO of Castile, were first published in that reprinted in an early edition of the "Poets and Poetry of America," under an impression that they were from the hand of the ingenious and elegant essayist, Mr. HENRY CARY; out that gentleman, on discovering my error, took the first opportunity to deny their authorship to me. Mr. MESSINGER's residence at present (1855) is in New London, one of the mountain villages of New Hampshire. III. Old books to read!- The same my sire scanned before, Of Oxford's domes: Old HORACE, rake ANACREON, by The Holye Book by which we live and die. "It is rather a sad commentary on the last verse, to know that the WALTER good,' the 'soulful FRED,' and the 'learned WILL,' are in their graves."-Note from the aw thor, dated March 9, 1855, in the "Home Journal." |