Shakespeare's Hyperontology: Antony and CleopatraUtilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra. |
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Page 9
... Tragedy and Rosalie L. Colie , Shakespeare's Living Art ; to Manchester University Press for Jean - François Lyotard and Jean - Loup Thébaud , Just Gaming , translated by Wlad Godzich ; to Croom Helm Ltd. for J. M. Greg- son , Public ...
... Tragedy and Rosalie L. Colie , Shakespeare's Living Art ; to Manchester University Press for Jean - François Lyotard and Jean - Loup Thébaud , Just Gaming , translated by Wlad Godzich ; to Croom Helm Ltd. for J. M. Greg- son , Public ...
Page 13
... tragedy without passion is a mistake ; to want to deconstruct Shakespeare without passion is not an equivalent mistake , but a greater one . The connection that I am discussing between deconstructive initiative and the Absolute may ...
... tragedy without passion is a mistake ; to want to deconstruct Shakespeare without passion is not an equivalent mistake , but a greater one . The connection that I am discussing between deconstructive initiative and the Absolute may ...
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Contents
Presence and Oblivion | 23 |
To Follow Faster | 46 |
The Remains of Leaving | 69 |
Exemplariness | 93 |
Cadaverous Space | 132 |
Trace | 158 |
Notes | 180 |
187 | |
196 | |
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Common terms and phrases
A. V. Miller absence absolute spending actually Adelman aesthetic affirms already Antony and Cleopatra Antony's approach Bamber become betrayal Blanchot Caesar Caesar's Revenge Charmian Common Liar conception created critical crucial crucial units desertion discourse discussion dramatic dying Egypt emphasized Enobarbus entire Epicurean Eros erotic excess fact feeling final Fulvia hero heroic honor hyperon hyperontological gestalt hyperreal Ibid idealist identifies identity imagination infinite language leave-taking leaving leaving/following logic London longer lovers Macbeth Mardian Mark Antony master ment military monument moral move myth nature negation negativity notion Octavius once ontodramatic ontological opposite performance play pleasure Plutarch poison Pompey possibility preexisting presence pure question reality Renaissance restricted economy Roman Rome scene sense Shake Shakespeare Shakespearean Tragedy simply Soldier space Speaight strange suggests takes my death thee things thou tion tological trace tragic transcendental unit University Press Venus viewpoint Walter Kaiser