Shakespeare's Hyperontology: Antony and CleopatraUtilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra. |
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Page 11
... perhaps to consider the fate of deconstructionism itself . As Rodolphe Gasché has demonstrated in The Tain of the Mirror - one of the rare books that come anywhere near the real strengths of Derrida's thinking— there is to any ...
... perhaps to consider the fate of deconstructionism itself . As Rodolphe Gasché has demonstrated in The Tain of the Mirror - one of the rare books that come anywhere near the real strengths of Derrida's thinking— there is to any ...
Page 13
... perhaps be related to what J. Hillis Miller has referred to as the critic's willingness to go with a text as far as it will go , to follow language as far as it can be followed . This , of course , is what Shakespeare always returns to ...
... perhaps be related to what J. Hillis Miller has referred to as the critic's willingness to go with a text as far as it will go , to follow language as far as it can be followed . This , of course , is what Shakespeare always returns to ...
Page 15
... perhaps , the very voiding of the status of old values and terms is a potentially positive factor , one permitting a certain loosening of fixed critical moves and notions from the ideological frameworks they " should " belong to . I see ...
... perhaps , the very voiding of the status of old values and terms is a potentially positive factor , one permitting a certain loosening of fixed critical moves and notions from the ideological frameworks they " should " belong to . I see ...
Page 27
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Page 41
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Contents
Presence and Oblivion | 23 |
To Follow Faster | 46 |
The Remains of Leaving | 69 |
Exemplariness | 93 |
Cadaverous Space | 132 |
Trace | 158 |
Notes | 180 |
187 | |
196 | |
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Common terms and phrases
A. V. Miller absence absolute spending actually Adelman aesthetic affirms already Antony and Cleopatra Antony's approach Bamber become betrayal Blanchot Caesar Caesar's Revenge Charmian Common Liar conception created critical crucial crucial units desertion discourse discussion dramatic dying Egypt emphasized Enobarbus entire Epicurean Eros erotic excess fact feeling final Fulvia hero heroic honor hyperon hyperontological gestalt hyperreal Ibid idealist identifies identity imagination infinite language leave-taking leaving leaving/following logic London longer lovers Macbeth Mardian Mark Antony master ment military monument moral move myth nature negation negativity notion Octavius once ontodramatic ontological opposite performance play pleasure Plutarch poison Pompey possibility preexisting presence pure question reality Renaissance restricted economy Roman Rome scene sense Shake Shakespeare Shakespearean Tragedy simply Soldier space Speaight strange suggests takes my death thee things thou tion tological trace tragic transcendental unit University Press Venus viewpoint Walter Kaiser