Shakespeare's Hyperontology: Antony and CleopatraUtilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra. |
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Page 12
... once an ontologist and an anti - ontologist ( at once an idealist and an anti - idealist ) is a writer who cannot be read outside an eager- ness for the fascination of ontological slidings . A way of bypassing this necessary involvement ...
... once an ontologist and an anti - ontologist ( at once an idealist and an anti - idealist ) is a writer who cannot be read outside an eager- ness for the fascination of ontological slidings . A way of bypassing this necessary involvement ...
Page 13
... once nontheological and sacred ( as Bataille puts it ) , what is merely profane and prosaic is always replaced by the more pas- sionate sense of what already moves toward negative or positive triumph.2 To want to write humanistically ...
... once nontheological and sacred ( as Bataille puts it ) , what is merely profane and prosaic is always replaced by the more pas- sionate sense of what already moves toward negative or positive triumph.2 To want to write humanistically ...
Page 16
... once the reality princi- ple gives way to the principle of hyperreality , and once hyperreality moves beyond a certain threshold , it is no longer meaningful to go on using bipolar structures of fixed ideological reference as if they ...
... once the reality princi- ple gives way to the principle of hyperreality , and once hyperreality moves beyond a certain threshold , it is no longer meaningful to go on using bipolar structures of fixed ideological reference as if they ...
Page 17
... once a mediation ( a mediating middle term ) and a rending penetration . So that in Antony and Cleopatra what is celestial is at once the sky as visionary screen and the sky as spoils and torn remainder . The simultaneity of seduction ...
... once a mediation ( a mediating middle term ) and a rending penetration . So that in Antony and Cleopatra what is celestial is at once the sky as visionary screen and the sky as spoils and torn remainder . The simultaneity of seduction ...
Page 18
... once absolutely pos- sible and impossible . Now , " without hope , " we suddenly gain access to the " fall into the void of the sky . " 10 The celestial , as ecstasy and paradisal enfranchisement , is by now a " deadly free- dom , " a ...
... once absolutely pos- sible and impossible . Now , " without hope , " we suddenly gain access to the " fall into the void of the sky . " 10 The celestial , as ecstasy and paradisal enfranchisement , is by now a " deadly free- dom , " a ...
Contents
Presence and Oblivion | 23 |
To Follow Faster | 46 |
The Remains of Leaving | 69 |
Exemplariness | 93 |
Cadaverous Space | 132 |
Trace | 158 |
Notes | 180 |
187 | |
196 | |
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Common terms and phrases
A. V. Miller absence absolute spending actually Adelman aesthetic affirms already Antony and Cleopatra Antony's approach Bamber become betrayal Blanchot Caesar Caesar's Revenge Charmian Common Liar conception created critical crucial crucial units desertion discourse discussion dramatic dying Egypt emphasized Enobarbus entire Epicurean Eros erotic excess fact feeling final Fulvia hero heroic honor hyperon hyperontological gestalt hyperreal Ibid idealist identifies identity imagination infinite language leave-taking leaving leaving/following logic London longer lovers Macbeth Mardian Mark Antony master ment military monument moral move myth nature negation negativity notion Octavius once ontodramatic ontological opposite performance play pleasure Plutarch poison Pompey possibility preexisting presence pure question reality Renaissance restricted economy Roman Rome scene sense Shake Shakespeare Shakespearean Tragedy simply Soldier space Speaight strange suggests takes my death thee things thou tion tological trace tragic transcendental unit University Press Venus viewpoint Walter Kaiser