Shakespeare's Hyperontology: Antony and CleopatraUtilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra. |
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Page 7
... Presence and Oblivion 23 2. To Follow Faster 46 3. The Remains of Leaving 69 4. Exemplariness 93 5. Cadaverous Space 132 6. Trace 158 Notes Bibliography Index 180 187 196 ACKNOWLEDGMENTS I am grateful to David Nelson Blair , Michael.
... Presence and Oblivion 23 2. To Follow Faster 46 3. The Remains of Leaving 69 4. Exemplariness 93 5. Cadaverous Space 132 6. Trace 158 Notes Bibliography Index 180 187 196 ACKNOWLEDGMENTS I am grateful to David Nelson Blair , Michael.
Page 15
... leaving ) does not automatically turn the venture into a monolithic or monological one . In fact , as all radical twen- tieth - century theories of the other ( of some strong unconscious ) have shown , a text ( like a dream ) is on the ...
... leaving ) does not automatically turn the venture into a monolithic or monological one . In fact , as all radical twen- tieth - century theories of the other ( of some strong unconscious ) have shown , a text ( like a dream ) is on the ...
Page 16
... leaving / following nexus ) is perfectly identical ( hyperidentical ? ) with the forces that , in the text , undermine and dismantle it . Thus we are hardly dealing with a mechanism of ontological mastery . The extraordinary sensual ...
... leaving / following nexus ) is perfectly identical ( hyperidentical ? ) with the forces that , in the text , undermine and dismantle it . Thus we are hardly dealing with a mechanism of ontological mastery . The extraordinary sensual ...
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Page 24
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Contents
Presence and Oblivion | 23 |
To Follow Faster | 46 |
The Remains of Leaving | 69 |
Exemplariness | 93 |
Cadaverous Space | 132 |
Trace | 158 |
Notes | 180 |
187 | |
196 | |
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Common terms and phrases
A. V. Miller absence absolute spending actually Adelman aesthetic affirms already Antony and Cleopatra Antony's approach Bamber become betrayal Blanchot Caesar Caesar's Revenge Charmian Common Liar conception created critical crucial crucial units desertion discourse discussion dramatic dying Egypt emphasized Enobarbus entire Epicurean Eros erotic excess fact feeling final Fulvia hero heroic honor hyperon hyperontological gestalt hyperreal Ibid idealist identifies identity imagination infinite language leave-taking leaving leaving/following logic London longer lovers Macbeth Mardian Mark Antony master ment military monument moral move myth nature negation negativity notion Octavius once ontodramatic ontological opposite performance play pleasure Plutarch poison Pompey possibility preexisting presence pure question reality Renaissance restricted economy Roman Rome scene sense Shake Shakespeare Shakespearean Tragedy simply Soldier space Speaight strange suggests takes my death thee things thou tion tological trace tragic transcendental unit University Press Venus viewpoint Walter Kaiser