Shakespeare's Hyperontology: Antony and CleopatraUtilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra. |
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Page 12
... emphasize Nietzsche at the expense of Heidegger and then to treat Heidegger in the most dismissive manner just because Derrida in the final outcome himself decides to do away with Heidegger . What this leads to , as in the case of ...
... emphasize Nietzsche at the expense of Heidegger and then to treat Heidegger in the most dismissive manner just because Derrida in the final outcome himself decides to do away with Heidegger . What this leads to , as in the case of ...
Page 15
... emphasizing any conceptual nucleus as a central clue , or hidden figure in the carpet , immediately triggers the suspicion that one is really discussing a phenomenological deep structure— in other words , something that masters and ...
... emphasizing any conceptual nucleus as a central clue , or hidden figure in the carpet , immediately triggers the suspicion that one is really discussing a phenomenological deep structure— in other words , something that masters and ...
Page 31
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Page 32
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Page 35
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Contents
Presence and Oblivion | 23 |
To Follow Faster | 46 |
The Remains of Leaving | 69 |
Exemplariness | 93 |
Cadaverous Space | 132 |
Trace | 158 |
Notes | 180 |
187 | |
196 | |
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Common terms and phrases
A. V. Miller absence absolute spending actually Adelman aesthetic affirms already Antony and Cleopatra Antony's approach Bamber become betrayal Blanchot Caesar Caesar's Revenge Charmian Common Liar conception created critical crucial crucial units desertion discourse discussion dramatic dying Egypt emphasized Enobarbus entire Epicurean Eros erotic excess fact feeling final Fulvia hero heroic honor hyperon hyperontological gestalt hyperreal Ibid idealist identifies identity imagination infinite language leave-taking leaving leaving/following logic London longer lovers Macbeth Mardian Mark Antony master ment military monument moral move myth nature negation negativity notion Octavius once ontodramatic ontological opposite performance play pleasure Plutarch poison Pompey possibility preexisting presence pure question reality Renaissance restricted economy Roman Rome scene sense Shake Shakespeare Shakespearean Tragedy simply Soldier space Speaight strange suggests takes my death thee things thou tion tological trace tragic transcendental unit University Press Venus viewpoint Walter Kaiser