Shakespeare's Hyperontology: Antony and CleopatraUtilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra. |
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... University Press London and Toronto : Associated University Presses © 1990 by Associated University Presses , Inc. All rights Shakespeare's.
... University Press London and Toronto : Associated University Presses © 1990 by Associated University Presses , Inc. All rights Shakespeare's.
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... University Presses 440 Forsgate Drive Cranbury , NJ 08512 Associated University Presses 25 Sicilian Avenue London WCIA 2QH , England Associated University Presses P.O. Box 488 , Port Credit Mississauga , Ontario Canada L5G 4M2 The paper ...
... University Presses 440 Forsgate Drive Cranbury , NJ 08512 Associated University Presses 25 Sicilian Avenue London WCIA 2QH , England Associated University Presses P.O. Box 488 , Port Credit Mississauga , Ontario Canada L5G 4M2 The paper ...
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... University of New York Press for Georges Bataille , Inner Experience , translated by Leslie Anne Boldt ; to Methuen ... University Press for Michael Gold- man , Acting and Action in Shakespearean Tragedy and Rosalie L. Colie ...
... University of New York Press for Georges Bataille , Inner Experience , translated by Leslie Anne Boldt ; to Methuen ... University Press for Michael Gold- man , Acting and Action in Shakespearean Tragedy and Rosalie L. Colie ...
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Contents
Presence and Oblivion | 23 |
To Follow Faster | 46 |
The Remains of Leaving | 69 |
Exemplariness | 93 |
Cadaverous Space | 132 |
Trace | 158 |
Notes | 180 |
187 | |
196 | |
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Common terms and phrases
A. V. Miller absence absolute spending actually Adelman aesthetic affirms already Antony and Cleopatra Antony's approach Bamber become betrayal Blanchot Caesar Caesar's Revenge Charmian Common Liar conception created critical crucial crucial units desertion discourse discussion dramatic dying Egypt emphasized Enobarbus entire Epicurean Eros erotic excess fact feeling final Fulvia hero heroic honor hyperon hyperontological gestalt hyperreal Ibid idealist identifies identity imagination infinite language leave-taking leaving leaving/following logic London longer lovers Macbeth Mardian Mark Antony master ment military monument moral move myth nature negation negativity notion Octavius once ontodramatic ontological opposite performance play pleasure Plutarch poison Pompey possibility preexisting presence pure question reality Renaissance restricted economy Roman Rome scene sense Shake Shakespeare Shakespearean Tragedy simply Soldier space Speaight strange suggests takes my death thee things thou tion tological trace tragic transcendental unit University Press Venus viewpoint Walter Kaiser