Line 231. In Tom Taylor's Autobiography of Haydon, vol. i. p. 354, is a passage which is a slight comment on these lines. 'He then, in a strain of humor beyond description, abused me for putting Newton's head into my picture. "A fellow," said he, "who believed nothing unless it was as clear as three sides of a triangle." And then he and Keats agreed he had destroyed all the beauty of the rainbow, by reducing it to the prismatic colors. It was impossible to resist him, and we all drank Newton's health and confusion to mathematics.'

'Philostratos, in his fourth book, de Vita Apollonii, hath a memorable instance in this kind, which I may not omit, of one Menippus Lycius, a young man twenty-five years of age that, going betwixt Cenchreas and Corinth, met such a phantasm in the habit of a fair gentlewoman, which, taking him by the hand, carried him home to her house, in the suburbs of Corinth, and told him she was a Phoenician by birth, and if he would tarry with her, he should hear her sing and play, and drink such wine as never any drank, and no man should molest him; but she, being fair and lovely, would die with him, that was fair and lovely to behold. The young man, a philosopher, otherwise staid and discreet, able to moderate his passions, though not this of love, tarried with her awhile to his great content, and at last married her, to whose wedding, amongst other guests, came Apollonius; who, by some probable conjectures, found her out to be a serpent, a lamia; and that all her furniture was, like Tantalus' gold, described by Homer, no substance, but mere illusions. When she saw herself descried, she wept, and desired Apollonius to be silent, but he would not be moved, and thereupon she, plate, house, and all that was in it, vanished in an instant; many thousands took notice of this fact, for it was done in the midst of Greece.'Burton's Anatomy of Melancholy, Part III., Sect. 2, Memb. I. Subs. I.

Page 199. HYPERION.

Since the introductory note to this poem was printed, a letter from Canon Ainger has appeared in The Athenæum (26 August, 1899), in which he states that he has seen a copy of the 1820 volume, given by Keats to a Hampstead friend and neighbor, and bearing on the title page with J. Keats's compliments.' He adds, 'Keats has with his own hand scored out, in strong ink lines, the publisher's preface. . . . At the head of this preface Keats has written, “I had no part in this; I was ill at the time." And after the concluding sentence about Endymion, which he has carefully bracketed off, he has written, "This is a lie!"'' This is interesting testimony, especially if Canon Ainger's opinion as to this being in Keats's handwriting is correct.

Page 232. THE LAST SONNET.

A manuscript reading of the last line is: 'Half-passionless, and so swoon on to death.>

'Thy thoughts, dear Keats, are like fresh gathered leaves,

Or white flowers pluck'd from some sweet lily bed;
They set the heart a-breathing, and they shed
The glow of meadows, mornings, and spring eves
O'er the excited soul. - Thy genius weaves

Songs that shall make the age be nature-led,
And win that coronal for thy young head

Which time's strange hand of freshness ne'er bereaves.
Go on! and keep thee to thine own green way,

Singing in that same key which Chaucer sung;
Be thou companion of the summer day,

Roaming the fields and older woods among :
So shall thy Muse be ever in her May,
And thy luxuriant spirit ever young.'

4. Page 257. Aunt Dinah's counterpane.' The letter was crossed, after a fashion more common in days of heavy postage than now.

5. Page 259. Hazlitt had reviewed in The Examiner for May 4, 1817, Southey's Letter to William Smith Esq., M. P., and had been excessively severe.

6. Page 259. The Nymphs.' A mythological poem, on which Hunt was at this time engaged.

7. Page 259. Does Shelley go on telling strange stories of the death of kings?' Gilfillan, in his Gallery of Literary Portraits, tells the story of Shelley amusing himself and Hunt, when they were travelling in a stage coach, and startling an old lady travelling with them, by suddenly crying out to Hunt,' For God's sake, let us sit upon the ground and tell sad stories of the death of kings.' King Richard II., iii. 2. 8. Page 261. 'I long to see Wordsworth's as well as to have mine in.' Haydon was painting his Christ's Entry into Jerusalem, and was introducing likenesses of his friends into the picture.

9. Page 262. Bertrand,' i. e., General Bertrand, who was one of Bonaparte's petty court at St. Helena.

10. Page 263. Jane Reynolds afterward married Thomas Hood. The Reynolds family lived in Little Britain, so quaintly sketched by Washington Irving.

11. Page 263. Hampton,' i. e., Little Hampton, a quiet watering place at the mouth of the Arun, on the south coast of Sussex, a little more than halfway between London and Portsmouth.

12. Page 265. Miss Taylor's essays in Rhyme.' Fanny Keats was fourteen years old at this time, and the Norwich ladies, Ann and Jane Taylor, were in the height of their popularity with young readers.

13. Page 266. 'Tell Dilke.' The Dilkes were friends living in Hampstead whom Reynolds had introduced to Keats. Charles Wentworth Dilke was at the time a clerk in the Navy Pay-Office, and a disciple of Godwin and warm friend of Hunt. Later he became a man of great consequence in the literary world as editor and chief owner of The Atheneum. The W. D. mentioned below is William Dilke, a younger brother, who had served in the Commissariat department. He was at this time about forty-two years old.

14. Page 268. Northern Poet.' See Wordsworth's Personal Talk, beginning

'I am not one who much or oft delight
To season my fireside with personal talk.'

15. Page 269. Hazlitt had just collected and published his The Round Table, which he first printed in The Examiner.

16. Page 271. You and Gleig.' Mr. Colvin makes this note: G. R. Gleig, son of the Bishop of Stirling born 1796, died 1888: served

:

18. Page 274. 'The little Song.' See headnote to Lines,' p. 37. The allusion just below in Adam's waking is to Paradise Lost, Book VIII., lines 478-484.

19. Page 275. 'Christie.' Jonathan H. Christie, a college friend of Lockhart, who took up Lockhart's quarrel with John Scott, fought the latter in a duel and killed him.

20. Page 277. 'Wells.' Charles J. Wells, a schoolmate of Tom Keats. See the Sonnet, p. 13, To a Friend who sent me some Roses.' The family of Wells lived in Featherstone Buildings, from which Letter 24 was written. 21. Page 277. 'Shelley's poem.' Laon and Cynthia, renamed The Revolt of Islam.

22. Page 277. The tragedy was Retribution, or the Chieftain's Daughter; the pantomime was Don Giovanni. The articles, as the postscript to this letter shows, did appear in The Champion.

23. Page 278. We played a concert.' A burlesque affair. Keats, his brothers and friends, were wont to entertain themselves with imitating musical instruments, vocally.

24. Page 278. Haydon's Autobiography, I. 384, gives a more detailed account of this supper party. Ritchie, here referred to, Mr. Colvin tells us, was Joseph Ritchie, who started on a Government mission to Fezzan in September, 1818, and died at Morzouk the following November. An account of the expedition was published by his travelling companion, Captain G. F. Lyon, R. N.' Ritchie wrote a poetical Farewell to England, which was printed by A. A. Watts in his Poetical Album.

25. Page 278. 'Medal of the Princess,' i. e., Princess Charlotte, who died November 6, 1817. 26. Page 278. 'Bob Harris,' the manager of Covent Garden Theatre.

27. Page 279. Miss Kent's.' Mr. Forman notes that the article was not by Miss Bessy Kent, Hunt's sister-in-law, but by Shelley, who used the initials E. K. for 'Elfin Knight.'

28. Page 279. Mr. Abbey.' Mr. Richard Abbey, a tea-merchant, one of the guardians of the Keats family. See above, p. xv.

29. Page 283. See a lively refutation of this conjecture of Hunt's, and a general statement of the relations of the 'Cockney school' with the Edinburgh critics in Lang's The Life and Letters of John Gibson Lockhart, I. 150-155.

30. Page 285. As the old song says.' Mr. Forman here quotes the 'old song,' which is 'Sharing Eve's Apple,' given in the Appendix, p. 248, on Mr. Forman's authority as by Keats. Mr. Colvin merely indicates a break. It is quite possible that Keats in the jesting mood with which his letter opens, wrote these nonsense lines and, in Scott's fashion, palmed them off as an 'old song.'

31. Page 285. For the sum of twopence.' See the head-note to 'Robin Hood,' p. 41.

32. Page 287. Mr. Robinson.' Henry Crabbe Robinson. This delightful diarist does not record this visit, nor in the two or three references to Keats speak as if he knew him. In an entry for December 8, 1820, he records reading some of Keats's poems, and adds: 'There are a force, wildness, and originality in the works of this young poet which, if his perilous journey to Italy does not destroy him, promise to place him at the head of the next generation of poets.'

33. Page 293. Haydon had written with enthusiasm about a seal with a true lover's knot and the initials W. S., found in a field at Stratford-on-Avon.

34. Page 293. 'Dentatus' was the subject of a picture by Haydon.

35. Page 295. Claude's Enchanted Castle.' Mr. Colvin has this interesting note: The famous picture now belonging to Lady Wantage, and exhibited at Burlington House in 1888. Whether Keats ever saw the original is doubtful (it was not shown at the British Institution in his time), but he must have been familiar with the subject as engraved by Vivarès and Woollett, and its suggestive power worked in his mind until it yielded at last the distilled poetic essence of the "magic casement" passage in the " Ode to a Nightingale." It is interesting to note the theme of the Grecian Urn ode coming in also amidst the " unconnected subject and careless verse of this rhymed epistle.'

36. Page 296. 'Posthumous works.' Haydon had written Keats: When I die I'll have Shakespeare placed on my heart, with Homer in my right hand and Ariosto in the other, Dante at my head, Tasso at my feet, and Corneille under my

37. Page 300. 'Worsted stockings.' Keats hints at the neighborhood of the children of the Postman Bentley, at whose house in Wellwalk he lodged.

38. Page 306. The opposite,' i. e., a leaf with the name and from the Author.' 39. Page 315. A scrap of paper.' The book was a copy of Endymion,' and Keats had left

in London a scrap of paper bearing from the Author,' to be pasted in.

40. Page 316. The Swan and two necks' was the name of the coach office in Lad Lane, London.

41. Page 320. 3 little volumes.' The several references to these books indicate Cary's Translation of Dante, which was so published by Taylor and Hessey and advertised on the fly-leaf of 'Endymion.'

42. Page 328. 'A Woman.' Mr. Colvin notes: Miss Charlotte Cox, an East Indian cousin of the Reynoldses- the "Charmian" described more fully' in Letter 74.

43. Page 328. Slip-shod Endymion.' John Scott wrote of the poem in The Morning Chronicle, October 3, 1818: 'That there are also many, very many passages indicating both haste and carelessness I will not deny; nay, I will go further, and assert that a real friend of the author would have dissuaded him from immediate publication.'

44. Page 338. 'I have scarce any hopes of him.' Thomas Keats died a few hours later, on the same day this letter was written. As noted in the biographical sketch, Keats now removed to Wentworth Place.

All wound with adders, who with cloven tongues
Do hiss me into madness.'

The little Brown boys, brothers of Charles Armitage Brown, are the 'Boys' referred to above, p. 364.

50. Page 368. This discreet notice of Reynolds's parody appeared with some alteration in The Examiner, April 26, 1819.

51. Page 378. James Elmes was the editor of Annals of the Fine Arts, in which first appeared the Ode to a Nightingale.' See p. 144. 52. Page 383. An oriental tale of a very beautiful color.' Mr. Forman, on the authority of Dr. Reinhold Köhler, Librarian of the Grand

ducal Library of Weimar, identifies the story, which is a variant of the Third Calender's story in The Arabian Nights, as the 'Histoire de la Corbeille,' in the Nouveaux Contes Orientaux of the Comte de Caylus.

53. Page 399. 'Hunt's triumphal entry into London.' Mr. Forman makes the following note on this passage: Henry Hunt, of Manchester Massacre fame, ended an imprisonment of two years and a half on the 30th of October, 1822, and made an entry into London" on the 11th of November, 1822; but the trial of which his imprisonment was the issue had not taken place till the spring of 1820; and the entry alluded to by Keats was one which took place between the massacre and the trial.'

54. Page 413. From Sr. G. B's, Lord Ms.' Sir George Beaumonts and Lord Musgraves.

55. Page 416. The Cave of despair.' Spenser's Cave of Despair was the subject of the picture (see Letter 141) with which Severn won the Royal Academy premium.

56. Page 438. Lucy Vaughan Lloyd.' The name under which Keats proposed to publish 'The Cap and Bells.' See p. 216.

57. Page 446. Without making any way.' Mr. Colvin appends this note: The Maria Crowther had in fact sailed from London, September 18 contrary winds holding her in the Channel, Keats had landed at Portsmouth for a night's visit to the Snooks of Bedhamp ton.'

To George Felton Mathew.

To my Brother George.
To Charles Cowden Clarke.
Sonnets:

I. To my Brother George.
II. To

['Had I a man's fair form, then might my sighs.']

III. Written on the day that Mr. Leigh
Hunt left prison.

IV. 'How many bards gild the lapses of
time.'

V. To a Friend who sent me some roses. VI. To G. A. W.

VII. 'O Solitude, if I must with thee dwell.' VIII. To my Brothers.

XI. On first Looking into Chapman's
Homer.

XII. On leaving some friends at an early hour.

XIII. Addressed to Haydon.

XIV. Addressed to the same.

XV. On the Grasshopper and Cricket.
XVI. To Kosciusko.
XVII. 'Happy is England.'
Sleep and Poetry.

II. ENDYMION: | A POETIC ROMANCE. | BY
JOHN KEATS. THE STRETCHED METRE
OF AN ANTIQUE SONG.' | LONDON: | PRINTED
FOR TAYLOR AND HESSEY, 93, FLEET
STREET, 1818.

III. LAMIA | ISABELLA, | THE EVE OF ST. AGNES, AND OTHER POEMS. BY JOHN KEATS, AUTHOR OF ENDYMION. LONDON: PRINTED FOR TAYLOR AND HESSEY, ❘ FLEET STREET | 1820.