Shakespeare and the Ends of Comedy"This is a congenial, lucidly written work, the product of careful thought and attention to performance." --Shakespeare Bulletin "... Jensen has done a service by reminding readers of the variety and richness of the comedy and comic devices in Shakespeare's plays." --Choice "The ear that Jensen brings to the plays themselves results in close readings that are always insightful and stimulate new questions." --English Language Notes "Here is a genuinely readable and enjoyable book... humane, balanced, unpolemical, good humored, and fundamentally sane." --Charles R. Forker "... Jensen has produced a sensitive and eminently readable book that will no doubt figure prominently in future attempts to understand Shakespeare's comic practice." --Shakespeare Yearbook Jensen questions a persistent critical emphasis that finds the meanings of Shakespeare's comedies in their endings. Analyzing The Merchant of Venice, Much Ado about Nothing, As You Like It, Twelfth Night, and Measure for Measure, he shows how much vitality is sacrificed when critics assume that "the end crowns the work." |
From inside the book
Results 1-3 of 45
Ejner J. Jensen. five Speaking Masterly Comic Tone and Comic Preparation in Twelfth Night A mong the comedies , none has had more attention fo- cused on its close than Twelfth Night . In part this can be explained with reference to the ...
... Twelfth Night , 106 ; tone in Twelfth Night , 108-109 Erickson , Peter : influence of Barber and Frye , 8-9 ; recent criticism of As You Like It , 79-80 Evans , Bertrand : analysis of Shake- speare's comic practice , 27 , 28 , 32 ...
... Twelfth Night , 109–10 Nature : fundamental opposition in Mea- sure for Measure , 128-29 Nevo , Ruth : closure of As You Like It , 77 New historicism : Montrose and As You Like It , 81-82 Opening : methods of compared in Much Ado about ...
Contents
The Aggrandizement of Closure | 1 |
The Comic Pleasures | 22 |
three | 34 |
Copyright | |
6 other sections not shown