Page images
PDF
EPUB

I. SYSTEMS OF THE DOUBLE KIND.

A. Trochaic Systems.

They were frequently used by the lyric and comic poets.. They consist principally of dimeters, often, however, so that a monometer besides remains. The catalexis marks the close:

Resolutions of the trochees are permitted. The dactyl is allowed in proper names only. The trochaic systems are, in comic poets, usually preceded or followed by trochaic

verses.

As an example take Aristoph. Vesp. 342 sqq.

Pac. 571.

Τοῦτ ̓ ἐτόλμησ ̓ ὁ μιαρὸς χα-
νεῖν ὁ Δημολογοκλέων ὅδ ̓,
Ὅτι λέγεις σύ τι περὶ τῶν νε-
ὢν ἀληθές. οὐ γὰρ ἄν ποθ ̓
Οὗτος ἀνὴρ τοῦτ ̓ ἐτόλμη
σεν λέγειν, εἰ

Μὴ ξυνωμότης τις ἦν.

Αλλ' ἀναμνησθέντες, άνδρες,
Τῆς διαίτης τῆς παλαιᾶς,
Ἓν παρεῖχ ̓ αὕτη ποθ ̓ ἡμῖν,
Τῶν τε παλασίων ἐκείνων,
Τῶν τε σύκων, τῶν τε μύρτων,
Τῆς τρυγός τε τῆς γλυκείας,
Τῆς ἰωνιᾶς τε τῆς πρὸς

Τῷ φρέατι, τῶν τ' ἐλαιῶν,
Ὧν ποθοῦμεν ἀντὶ τούτων

Τήνδε νυνὶ

Τὴν θεὸν προσείπατε.

The tragedians have not, indeed, independent trochaic systems, but sometimes they repeat systematically trochaic series as parts of strophes, as Soph. Oed. Col. 1220—1224; 1235-1239, where the ithyphallic forms the close.

[blocks in formation]

"Αϊδος, ὅτε Μοῖρ ̓ ἀνυμέναιος

Αλυρος ἄχορος ἀναπέφηνε,

Θάνατος ἐς τελευτάν.

ἀντ. Καὶ φθόνος· τό τε κατάμεμπτον
Επιλέλογχε

Πύματον ἀκρατὲς ἀπροσόμιλον

Γῆρας ἄφιλον, ἵνα πρόπαντα
Κακὰ κακῶν ξυνοικεῖ.

Compare also Eur. Orest. 1001-1004, where the close:

153

Μονόπωλον ἐς Αῶ.

The tetrapodia troch. cat. repeated systematically occurs frequently, as Aesch. Eum. 508516; 517-525.

στρ. Μηδέ τις κικλησκέτω

Ξυμφορα τετυμμένος,
Τοῦτ ̓ ἔπος θροούμενος·
"Ω δίκα,

Ὦ θρόνοι τ' Εριννύων,
Ταῦτά τις τάχ ̓ ἂν πατὴρ
Ἢ τεκοῦσα νεοπαθής
Οἶκτον οἰκτίσαιτ', ἐπει-
δὴ πίτνει δόμος δίκας.
ἀντ. Ἔσθ ̓ ὅπου τὸ δεινὸν εἶ

Καὶ φρενῶν ἐπίσκοπον

Δειμανεῖ καθήμενον.
Συμφέρει

Σωφρονεῖν ὑπὸ στένει.
Τίς δὲ μηδὲν ἐν φάει
Καρδίας ἂν ἀνατρέφων
Ἢ πόλις βροτός θ ̓ ὁμοί-
ως ἔτ ̓ ἂν σέβοι δίκαν ;

B. Iambic Systems.

They were likewise used by lyric (Anacreon, Alcman) and comic poets. They, too, are arranged by dimeters, so, however, that frequently a monometer intervenes, usually before the closing series. The system usually ends with a tetrapodia iamb. catal.

the last arsis of which is not resolved. Anapaests are every-
where allowed. Resolutions are frequent.
Iambic verses
usually precede or follow the systems.
As an example take Arist. Ran. 384 sqq.
στρ. Δήμητερ, ἁγνῶν ὀργίων
Ανασσα, συμπαραστάτει,
Καὶ σῶζε τὸν σαυτῆς χορόν·
Καὶ μὲ ἀσφαλῶς πανήμερον
Παῖσαί τε καὶ χορεῦσαι.

ἀντ. Καὶ πολλὰ μὲν γέλοιά μ' εἰ-
πεῖν, πολλὰ δὲ σπουδαῖα, καὶ

Τῆς σῆς ἑορτῆς ἀξίως

Παίσαντα καὶ σκώψαντα νι
κήσαντα ταινιοῦσθαι.

A peculiar close:

occurs in the systems Acharn. 835-841, 844-847, 850— 853, 856-859.

Ἐν τἀγορᾷ καθήμενος,

Κἂν εἰςίῃ τις Κτησίας,

Ἢ συκοφάντης ἄλλος, οὐ

μώζων καθεδεῖτε.

The tragedians, without having independent systems, sometimes repeat systematically iambic rhythms, as Eur. Orest. 995 sqq., where the following rhythm forms the close :

Ατρέος ἱπποβότα.

Some have endeavored to find iambic systems in the Roman comic poets, also, as Plaut. Stich. I. 1. 11.

Speró quidem et voló, sed hoc,
Sorór, crucior, patrém tuum
Meúmque adeo, unus qui únice
Civibus ex omnibus probus
Perhibétur, eum nunc improbi
Viri ófficio uti, quí viris

Tantás absentibus facit

Injúrias immérito.

Such systems, however, may commonly be measured as iambic octonarii, to which a septenarius or an iambic close is subjoined.

II. SYSTEMS OF THE EQUAL KIND.

A. Dactylic Systems.

The dactylic systems were used by lyric (Alcman, Ibycus, Stesichorus, Bacchylides), tragic and comic poets. They consist chiefly of acatalectic tetrameters mixed with longer or shorter dactylic rhythms, and often with others also, as logaoedic series, anapaests and dochmii. The latter cannot properly be considered as belonging to the systems. In antistrophic poems dactyls usually correspond to dactyls, spondees to spondees; proper names, however, make an exception. The termination is either the catalexis or a particular close.

Alcman :

Ibycus:

(a) Systems of the lyric poets.

Μῶσ', άγε, Καλλιόπα, θύγατερ Διὸς,
Ἄρχ ̓ ἐρατῶν ἐπέων, ἔπι δ ̓ ἵμερον
Ὕμνῳ καὶ χαρίεντα τίθει χορόν.

Ευρύαλε, γλαυκέων Χαρίτων θάλος,

Καλλικόμων μελέδημα, σὲ μὲν Κύπρις,
Ατ' ἀγανοβλέφαρος Πειθώ ῥοδέοισιν ἐν
Ἄνθεσι θρέψαν.

(b) Systems of the dramatists.

Soph. Elec. 129-136; 145–152.

Ω

στρ. Ὦ γενέθλα γενναίων,

Ἥκετ ̓ ἐμῶν καμάτων παραμύθιον.
Οιδά τε καὶ ξυνίημι τάδ', οὔ τί με
Φυγγάνει, οὐδ ̓ ἐθέλω προλιπεῖν τόδε,
Μὴ οὐ τὸν ἐμὸν στοναχεῖν πατέρ ̓ ἄθλιον
Ἀλλ ̓ ὦ παντοίας φιλότητος ἀμειβόμεναι χάριν
Εᾶτε μ' ώδ' ἀλύειν,

Αἰαῖ, ἱκνοῦμαι.

ἀντ. Νήπιος ὃς τῶν οἰκτρῶς

Οἰχομένων γονέων ἐπιλάθεται.

Ἀλλ ̓ ἐμέ γ' ὁ στονόεσσ ̓ ἄραρεν φρένας,
Α Ἴτυν, αἰὲν Ἴτυν ὀλοφύρεται,

Ὄρνις ἀτυζομένα, Διὸς ἄγγελος.

Ἰὼ παντλάμων Νιόβα, σὲ δ ̓ ἔγωγε νέμω θεὸν,
Απ' ἐν τάφῳ πετραίῳ

Αἰαῖ δακρύεις.

Aristoph. Nub. 275-290; 299-313.

στρ. Αέναοι Νεφέλαι,

Αρθῶμεν φανεραὶ δροσερὰν φύσιν εὐάγητον,

Πατρὸς ἀπ' Ὠκεανοῦ βαρυαχέος

Υψηλῶν ὀρέων κορυφὰς ἐπὶ

Δενδροκόμους, ἵνα

Τηλεφανεῖς σκοπιὰς ἀφορώμεθα,

Καρπούς τ ̓ ἀρδομέναν ἱερὰν χθόνα,

Καὶ ποταμῶν ζαθέων κελαδήματα,
Καὶ πόντον κελάδοντα βαρυβρομον·
Ὄμμα γὰρ αἰθέρος ἀκάματον σελαγεῖται
Μαρμαρέαις ἐν αὐγαῖς.

Ἀλλ ̓ ἀποσεισάμεναι νέφος ὄμβριον
Αθανάτας ἰδέας ἐπιδώμεθα

Τηλεσκόπῳ ὄμματι γαῖαν.

« PreviousContinue »