Demi-devils: The Character of Shakespeare's Villains |
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Page 32
... Queen . But Shakespeare's Moor , Aaron , takes on an independent existence and ambi- tion and initiative of his own . " 7 Though Professor Sargent regards this development of Aaron as giving the Moor an element of individuality ...
... Queen . But Shakespeare's Moor , Aaron , takes on an independent existence and ambi- tion and initiative of his own . " 7 Though Professor Sargent regards this development of Aaron as giving the Moor an element of individuality ...
Page 99
... queen , from none of whom comes any hint of shame or disapproval , it is easy to accept Claudius ' words as perfectly reasonable , and to forget that he is guilty of at the least a gross breach of etiquette in marrying so soon and in ...
... queen , from none of whom comes any hint of shame or disapproval , it is easy to accept Claudius ' words as perfectly reasonable , and to forget that he is guilty of at the least a gross breach of etiquette in marrying so soon and in ...
Page 104
... Queen .... Hamlet in their presence is untiring in his in- sults to the King ; Claudius may bite his lip , but his answer to the Prince is always polite . A clever man , his mo- tives , as with all of us , are mixed ; his forbearance ...
... Queen .... Hamlet in their presence is untiring in his in- sults to the King ; Claudius may bite his lip , but his answer to the Prince is always polite . A clever man , his mo- tives , as with all of us , are mixed ; his forbearance ...
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Common terms and phrases
Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes